"The Monkey King 2" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst<\/title>\n<meta name=\"description\" content=\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les "P\u00e9r\u00e9grinations vers l'Ouest". Entretien avec le r\u00e9alisateur Soi Cheang.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""The Monkey King 2" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst\" \/>\n<meta property=\"og:description\" content=\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les "P\u00e9r\u00e9grinations vers l'Ouest". Entretien avec le r\u00e9alisateur Soi Cheang.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2016-02-10T08:44:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-03-04T09:44:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"3000\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arnaud Lanuque\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arnaud Lanuque\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"},\"author\":{\"name\":\"Arnaud Lanuque\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/f2a203be979ef5d92a2d6d5ff6d02ba6\"},\"headline\":\"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy\",\"datePublished\":\"2016-02-10T08:44:55+00:00\",\"dateModified\":\"2016-03-04T09:44:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"},\"wordCount\":3672,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"keywords\":[\"Abonn\u00e9s\",\"Asie du Nord-Est\",\"Chine\",\"Cin\u00e9ma\",\"Hong Kong\",\"temps forts\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\",\"name\":\"\\\"The Monkey King 2\\\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"datePublished\":\"2016-02-10T08:44:55+00:00\",\"dateModified\":\"2016-03-04T09:44:22+00:00\",\"description\":\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \\\"P\u00e9r\u00e9grinations vers l'Ouest\\\". Entretien avec le r\u00e9alisateur Soi Cheang.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"width\":3000,\"height\":2000,\"caption\":\"Le r\u00e9alisateur Soi Cheang sur le tournage de son film, The Monkey 2, avec son acteur principal, Aaron Kwok, dans le r\u00f4le du Roi singe. (Cr\u00e9dit : DR)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"name\":\"Asialyst\",\"description\":\"Votre m\u00e9dia sur l Asie\",\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\",\"name\":\"Asialyst\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"width\":657,\"height\":165,\"caption\":\"Asialyst\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/Asialyst.fr\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/f2a203be979ef5d92a2d6d5ff6d02ba6\",\"name\":\"Arnaud Lanuque\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"caption\":\"Arnaud Lanuque\"},\"description\":\"Install\u00e9 \u00e0 Hong Kong depuis trois ans, Arnaud Lanuque est sp\u00e9cialiste du cin\u00e9ma hongkongais et le correspondant local de la revue \\\"L'Ecran fantastique\\\". Il est aussi le gestionnaire du Service de coop\u00e9ration et d'action culturelle au Consulat de France \u00e0 Hong Kong.\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/auteur\\\/arnaud-lanuque\\\/\"}]}<\/script>\n","yoast_head_json":{"title":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","og_locale":"fr_FR","og_type":"article","og_title":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","og_description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","og_url":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","og_site_name":"Asialyst","article_publisher":"https:\/\/www.facebook.com\/Asialyst.fr","article_published_time":"2016-02-10T08:44:55+00:00","article_modified_time":"2016-03-04T09:44:22+00:00","og_image":[{"width":3000,"height":2000,"url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","type":"image\/jpeg"}],"author":"Arnaud Lanuque","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Arnaud Lanuque","Dur\u00e9e de lecture estim\u00e9e":"18 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#article","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"},"author":{"name":"Arnaud Lanuque","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/f2a203be979ef5d92a2d6d5ff6d02ba6"},"headline":"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy","datePublished":"2016-02-10T08:44:55+00:00","dateModified":"2016-03-04T09:44:22+00:00","mainEntityOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"},"wordCount":3672,"commentCount":1,"publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","keywords":["Abonn\u00e9s","Asie du Nord-Est","Chine","Cin\u00e9ma","Hong Kong","temps forts"],"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","url":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","name":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","datePublished":"2016-02-10T08:44:55+00:00","dateModified":"2016-03-04T09:44:22+00:00","description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","breadcrumb":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","width":3000,"height":2000,"caption":"Le r\u00e9alisateur Soi Cheang sur le tournage de son film, The Monkey 2, avec son acteur principal, Aaron Kwok, dans le r\u00f4le du Roi singe. (Cr\u00e9dit : DR)"},{"@type":"BreadcrumbList","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/asialyst.com\/fr\/"},{"@type":"ListItem","position":2,"name":"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy"}]},{"@type":"WebSite","@id":"https:\/\/asialyst.com\/fr\/#website","url":"https:\/\/asialyst.com\/fr\/","name":"Asialyst","description":"Votre m\u00e9dia sur l Asie","publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asialyst.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/asialyst.com\/fr\/#organization","name":"Asialyst","url":"https:\/\/asialyst.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","width":657,"height":165,"caption":"Asialyst"},"image":{"@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Asialyst.fr"]},{"@type":"Person","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/f2a203be979ef5d92a2d6d5ff6d02ba6","name":"Arnaud Lanuque","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","caption":"Arnaud Lanuque"},"description":"Install\u00e9 \u00e0 Hong Kong depuis trois ans, Arnaud Lanuque est sp\u00e9cialiste du cin\u00e9ma hongkongais et le correspondant local de la revue \"L'Ecran fantastique\". Il est aussi le gestionnaire du Service de coop\u00e9ration et d'action culturelle au Consulat de France \u00e0 Hong Kong.","url":"https:\/\/asialyst.com\/fr\/auteur\/arnaud-lanuque\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/118"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=9006"}],"version-history":[{"count":7,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006\/revisions"}],"predecessor-version":[{"id":9125,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006\/revisions\/9125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/9008"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=9006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=9006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=9006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

\n\t\tCertaines s\u00e9quences d\u2019action n\u00e9cessitent de nombreux plans en num\u00e9rique. Est-ce que cela veut dire qu\u2019il \u00e9tait \u00e9galement impliqu\u00e9 dans cet aspect de la post-production ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tNon. C\u2019est moi qui me suis occup\u00e9 de cette partie. Mais certaines sc\u00e8nes tourn\u00e9es en live devaient s\u2019y int\u00e9grer, j\u2019ai donc du conserver l\u2019approche de Samo de mani\u00e8re \u00e0 ce que les s\u00e9quences s\u2019encha\u00eenent de mani\u00e8re fluide et logique.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tQuel type de r\u00e9f\u00e9rences aviez-vous en t\u00eate lors de l\u2019affrontement final ?<\/strong>\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tMes principales r\u00e9f\u00e9rences \u00e9taient Games of Thrones et Walking Dead. L\u2019id\u00e9e des squelettes vient du personnage m\u00eame de Baigujing. Il nous a suffi de faire preuve d\u2019un peu de cr\u00e9ativit\u00e9 \u00e0 partir de l\u00e0.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tAvez-vous eu des probl\u00e8mes avec la censure ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tNon mais nous avons \u00e9t\u00e9 en contact avec eux d\u00e8s le d\u00e9but du projet. Par exemple, j\u2019avais quelques craintes concernant la fin o\u00f9 le Roi singe tue le moine. Ce n\u2019est pas pr\u00e9sent dans l\u2019histoire originale et aurait pu \u00eatre consid\u00e9r\u00e9 comme sensible. Mais, vu que nous avions de bons canaux de communication, cela n\u2019a pas pos\u00e9 de difficult\u00e9s.\t<\/div>\n<\/div>\n\n
\n\t
Singe virtuel<\/h2>\n<\/div>\n
\n\t
\n\t\tCombien de temps a pris la post-production ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tA peu pr\u00e8s un an.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tEst-ce que les effets sp\u00e9ciaux ont \u00e9t\u00e9 assur\u00e9s par une compagnie unique ou par plusieurs diff\u00e9rentes ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tPlusieurs. Nous avons fait appel \u00e0 3 compagnies cor\u00e9ennes et 3 compagnies de Chine continentale. Je pense que le r\u00e9sultat est satisfaisant. Sur le premier film, il y avait beaucoup trop de soci\u00e9t\u00e9s diff\u00e9rentes impliqu\u00e9es et, dans ces conditions, il \u00e9tait impossible de maintenir le degr\u00e9 de qualit\u00e9 voulu. Mais nous n\u2019avions pas le choix, il y avait juste trop de plans n\u00e9cessitant des effets sp\u00e9ciaux, plus de 2 000. C\u2019\u00e9tait fou ! Sur ce dernier film, j\u2019ai consciemment cherch\u00e9 \u00e0 r\u00e9duire leur nombre pour \u00eatre s\u00fbr d\u2019avoir une qualit\u00e9 maximale. Au final, il y a quand m\u00eame plus de 1 300 plans truqu\u00e9s. \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tEst-ce vous qui avez choisi de faire appel au compositeur hollywoodien Christopher Young pour la musique ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tTout \u00e0 fait. Comme il est \u00e9tranger, il a une approche diff\u00e9rente de notre culture. Si vous demandez \u00e0 un compositeur chinois d\u2019utiliser des instruments locaux, la mani\u00e8re dont il en fera usage sera totalement diff\u00e9rente par rapport \u00e0 un compositeur \u00e9tranger. J\u2019ai trouv\u00e9 que son approche serait int\u00e9ressante pour le film et je pense qu\u2019il a fait un tr\u00e8s bon travail.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tEtes-vous davantage satisfait du r\u00e9sultat final compar\u00e9 au premier film ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tOh oui, d\u00e9finitivement !\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tEst-ce que vous vous voyez r\u00e9aliser un troisi\u00e8me \u00e9pisode ?<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tJe ne sais pas encore, j\u2019attends de voir les retours sur celui-l\u00e0. Si vous voulez que \u00e7a arrive, il faudra que vous \u00e9criviez une mauvaise critique (rires).<\/em>\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tPropos recueillis par Arnaud Lanuque \u00e0 Hong Kong<\/strong> \t<\/div>\n<\/div>\n\n
\n\t
\n\t\tTraduction : Wayne Choi<\/em>
\nRemerciements : Joanne Wei, Dominic Yip.<\/em>\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t
Soutenez-nous !<\/h3>\n\t\t
Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n
\n\t
\n\t\t
Tags de l'article<\/h5>\n\t\t
Abonn\u00e9s<\/a><\/li>
Asie du Nord-Est<\/a><\/li>
Chine<\/a><\/li>
Cin\u00e9ma<\/a><\/li>
Hong Kong<\/a><\/li>
temps forts<\/a><\/li><\/ul>
\t<\/ul><\/div>\n<\/div>\n\n\t\t
\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n
\n\t
\n\t\t
A propos de l'auteur<\/h5>\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\tArnaud Lanuque\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
\n\t\t\t\t\t\tInstall\u00e9 \u00e0 Hong Kong depuis trois ans, Arnaud Lanuque est sp\u00e9cialiste du cin\u00e9ma hongkongais et le correspondant local de la revue \"L'Ecran fantastique\". Il est aussi le gestionnaire du Service de coop\u00e9ration et d'action culturelle au Consulat de France \u00e0 Hong Kong.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n
\n\t
\n\t\t
\n\t\t\t
On vous recommande<\/h5>\t\t\t
\n\t\t\t\t
$\"Sc\u00e8ne$ <\/span>Culture<\/span>
\"Wild City\" : Ringo Lam sur le fil du rasoir<\/h4><\/span><\/a><\/li>
$\"Photo$ <\/span>Culture<\/span>
Cin\u00e9ma de Hong Kong : strat\u00e9gie de la survie<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n
\n\t
\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
La suite plut\u00f4t r\u00e9ussie de l’adaptation du classique chinois, les \u00ab\u00a0P\u00e9r\u00e9grinations vers l’Ouest\u00a0\u00bb. Entretien avec le r\u00e9alisateur Soi Cheang.<\/p>\n","protected":false},"author":118,"featured_media":9008,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[613,23,22,255,51,193],"class_list":["post-9006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-abonnes","tag-asie-du-nord-est","tag-chine","tag-cinema","tag-hong-kong","tag-temps-forts"],"yoast_head":"\n"The Monkey King 2" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst<\/title>\n<meta name=\"description\" content=\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les "P\u00e9r\u00e9grinations vers l'Ouest". Entretien avec le r\u00e9alisateur Soi Cheang.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""The Monkey King 2" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst\" \/>\n<meta property=\"og:description\" content=\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les "P\u00e9r\u00e9grinations vers l'Ouest". Entretien avec le r\u00e9alisateur Soi Cheang.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2016-02-10T08:44:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-03-04T09:44:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"3000\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arnaud Lanuque\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arnaud Lanuque\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"},\"author\":{\"name\":\"Arnaud Lanuque\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/f2a203be979ef5d92a2d6d5ff6d02ba6\"},\"headline\":\"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy\",\"datePublished\":\"2016-02-10T08:44:55+00:00\",\"dateModified\":\"2016-03-04T09:44:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"},\"wordCount\":3672,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"keywords\":[\"Abonn\u00e9s\",\"Asie du Nord-Est\",\"Chine\",\"Cin\u00e9ma\",\"Hong Kong\",\"temps forts\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\",\"name\":\"\\\"The Monkey King 2\\\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"datePublished\":\"2016-02-10T08:44:55+00:00\",\"dateModified\":\"2016-03-04T09:44:22+00:00\",\"description\":\"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \\\"P\u00e9r\u00e9grinations vers l'Ouest\\\". Entretien avec le r\u00e9alisateur Soi Cheang.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2016\\\/02\\\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg\",\"width\":3000,\"height\":2000,\"caption\":\"Le r\u00e9alisateur Soi Cheang sur le tournage de son film, The Monkey 2, avec son acteur principal, Aaron Kwok, dans le r\u00f4le du Roi singe. (Cr\u00e9dit : DR)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2016\\\/02\\\/10\\\/the-monkey-king-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"name\":\"Asialyst\",\"description\":\"Votre m\u00e9dia sur l Asie\",\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\",\"name\":\"Asialyst\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"width\":657,\"height\":165,\"caption\":\"Asialyst\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/Asialyst.fr\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/f2a203be979ef5d92a2d6d5ff6d02ba6\",\"name\":\"Arnaud Lanuque\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/07\\\/Photo-Arnaud-Lanuque-150x150.jpg\",\"caption\":\"Arnaud Lanuque\"},\"description\":\"Install\u00e9 \u00e0 Hong Kong depuis trois ans, Arnaud Lanuque est sp\u00e9cialiste du cin\u00e9ma hongkongais et le correspondant local de la revue \\\"L'Ecran fantastique\\\". Il est aussi le gestionnaire du Service de coop\u00e9ration et d'action culturelle au Consulat de France \u00e0 Hong Kong.\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/auteur\\\/arnaud-lanuque\\\/\"}]}<\/script>\n","yoast_head_json":{"title":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","og_locale":"fr_FR","og_type":"article","og_title":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","og_description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","og_url":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","og_site_name":"Asialyst","article_publisher":"https:\/\/www.facebook.com\/Asialyst.fr","article_published_time":"2016-02-10T08:44:55+00:00","article_modified_time":"2016-03-04T09:44:22+00:00","og_image":[{"width":3000,"height":2000,"url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","type":"image\/jpeg"}],"author":"Arnaud Lanuque","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Arnaud Lanuque","Dur\u00e9e de lecture estim\u00e9e":"18 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#article","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"},"author":{"name":"Arnaud Lanuque","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/f2a203be979ef5d92a2d6d5ff6d02ba6"},"headline":"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy","datePublished":"2016-02-10T08:44:55+00:00","dateModified":"2016-03-04T09:44:22+00:00","mainEntityOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"},"wordCount":3672,"commentCount":1,"publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","keywords":["Abonn\u00e9s","Asie du Nord-Est","Chine","Cin\u00e9ma","Hong Kong","temps forts"],"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","url":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/","name":"\"The Monkey King 2\" : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy - Asialyst","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","datePublished":"2016-02-10T08:44:55+00:00","dateModified":"2016-03-04T09:44:22+00:00","description":"La suite plut\u00f4t r\u00e9ussie de l'adaptation du classique chinois, les \"P\u00e9r\u00e9grinations vers l'Ouest\". Entretien avec le r\u00e9alisateur Soi Cheang.","breadcrumb":{"@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#primaryimage","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/02\/HONG-KONG-MONKEY-KING-2-SOI-CHEANG-AARON-KWOK.jpg","width":3000,"height":2000,"caption":"Le r\u00e9alisateur Soi Cheang sur le tournage de son film, The Monkey 2, avec son acteur principal, Aaron Kwok, dans le r\u00f4le du Roi singe. (Cr\u00e9dit : DR)"},{"@type":"BreadcrumbList","@id":"https:\/\/asialyst.com\/fr\/2016\/02\/10\/the-monkey-king-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/asialyst.com\/fr\/"},{"@type":"ListItem","position":2,"name":"\u00ab\u00a0The Monkey King 2\u00a0\u00bb : p\u00e9r\u00e9grinations num\u00e9riques et heroic fantasy"}]},{"@type":"WebSite","@id":"https:\/\/asialyst.com\/fr\/#website","url":"https:\/\/asialyst.com\/fr\/","name":"Asialyst","description":"Votre m\u00e9dia sur l Asie","publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asialyst.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/asialyst.com\/fr\/#organization","name":"Asialyst","url":"https:\/\/asialyst.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","width":657,"height":165,"caption":"Asialyst"},"image":{"@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Asialyst.fr"]},{"@type":"Person","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/f2a203be979ef5d92a2d6d5ff6d02ba6","name":"Arnaud Lanuque","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/07\/Photo-Arnaud-Lanuque-150x150.jpg","caption":"Arnaud Lanuque"},"description":"Install\u00e9 \u00e0 Hong Kong depuis trois ans, Arnaud Lanuque est sp\u00e9cialiste du cin\u00e9ma hongkongais et le correspondant local de la revue \"L'Ecran fantastique\". Il est aussi le gestionnaire du Service de coop\u00e9ration et d'action culturelle au Consulat de France \u00e0 Hong Kong.","url":"https:\/\/asialyst.com\/fr\/auteur\/arnaud-lanuque\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/118"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=9006"}],"version-history":[{"count":7,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006\/revisions"}],"predecessor-version":[{"id":9125,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/9006\/revisions\/9125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/9008"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=9006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=9006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=9006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

A propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t