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{"id":6201,"date":"2015-11-06T09:42:37","date_gmt":"2015-11-06T08:42:37","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2015\/11\/05\/brouillon-regard-2\/"},"modified":"2015-11-06T09:42:45","modified_gmt":"2015-11-06T08:42:45","slug":"cinquieme-trait","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2015\/11\/06\/cinquieme-trait\/","title":{"rendered":"Cinqui\u00e8me trait"},"content":{"rendered":"

\n\t\n\tCulture<\/a>
\n\t\n\t\tPubli\u00e9 06 Novembre 2015
\n\t\tMis \u00e0 jour 06 Novembre 2015\t<\/time>\n\t\n<\/div>\n

\n

T\u00e9moin \u2013 un s\u00e9miologue \u00e0 Ta\u00efpei<\/div><\/div>\n

<\/p>\n

\n\t

Cinqui\u00e8me trait<\/h1>\n<\/div>\n
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\n
\n \t
\n \n \n Ivan Gros <\/span>\n $\"Ivan$ <\/a>\n <\/li>\n \t <\/ul>\n <\/div>\n<\/div>\n
\n
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\n $\"Victor$ <\/a>\n \n \n \n
\n \t
\n \tVictor Yu (Cr\u00e9dit : Ivan Gros) <\/div>\n <\/figcaption>\n <\/figure>\n <\/div>\n<\/div>\n\n
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<\/h2>\n\t\t\t
21 ao\u00fbt 1978
\n\u00ab\u00a0Ce qui me para\u00eet le plus \u00e9loign\u00e9 de, le plus antipathique \u00e0 mon chagrin : la lecture du journal Le Monde et de ses mani\u00e8res aigres et inform\u00e9es\u00a0\u00bb<\/p>\n
Roland Barthes, Le Journal du deuil<\/em>, Paris, Seuil, 2009, p. 209.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n
\n\t\n\t\tJ\u2019accompagne souvent Victor Yu<\/a> dans ses parties de chasse urbaines. Il conna\u00eet bien Ta\u00efpei et m\u2019aide \u00e0 m\u2019orienter dans ce labyrinthe de signes. On marche \u00e0 l\u2019unisson.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tChacun selon son tempo.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\tLui, bard\u00e9 de sa tripot\u00e9e de Nikon F3 en bandouli\u00e8re et moi, un carnet sous le bras et un crayon Faber Castel 2B entre les dents. Il shoote. Je croque.\t<\/div>\n<\/div>\n\n
\n\t
\n\t\t<\/iframe>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tJ\u2019\u00e9tais en sa compagnie quand j\u2019ai dessin\u00e9 le p\u00e9nitencier de <a href=\"https:\/\/asialyst.com\/fr\/2015\/10\/30\/quatrieme-trait\/\" target=\"_blank\"><em>Tu-cheng (\u571f\u57ce)<\/em><\/a> la semaine derni\u00e8re. C\u2019est un vieux complice et naturellement, je lui ai propos\u00e9 de rencontrer mes \u00e9tudiants pour qu\u2019il leur expose sa pratique et qu\u2019on la confronte un peu \u00e0 la th\u00e9orie. Un cours de \u00ab\u00a0litt\u00e9rature appliqu\u00e9e au journalisme\u00a0\u00bb, \u00e7a ne pouvait pas le laisser indiff\u00e9rent\u2026<br \/>\nIl a un peu p\u00e2li quand je lui ai annonc\u00e9 le sujet sur lequel il allait plancher : \u00ab\u00a0Les strat\u00e9gies litt\u00e9raires du journaliste : ligne \u00e9ditoriale et libert\u00e9 d\u2019\u00e9criture\u00a0\u00bb. Mais il ne s\u2019est pas d\u00e9mont\u00e9 : Et oui, c\u2019est un professionnel de l\u2019information \u00e9crite qui a exp\u00e9riment\u00e9 en <em>freelance<\/em> un grand nombre de m\u00e9dias ta\u00efwanais et il sait ce qu\u2019il en co\u00fbte de franchir la ligne rouge\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tJ\u2019ai beaucoup d\u2019estime pour cette profession. D\u2019autant plus que c\u2019est assez commun, dans le milieu universitaire en particulier, d\u2019en faire un portrait au vitriole. Roland Barthes n\u2019\u00e9chappe pas \u00e0 la r\u00e8gle. Jusqu’\u00e0 la fin de sa vie, il a manifest\u00e9 une profonde antipathie pour la presse.<br \/>\nPourtant, depuis les <em>Mythologies<\/em> jusqu’aux fragments posthumes du <em>Journal du deuil<\/em>, il n’a cess\u00e9 de la lire et de puiser dans ses colonnes de quoi alimenter sa r\u00e9flexion. La presse \u2013 le journal <em>Le Monde<\/em> compris \u2013 \u00e9tait sans doute un fabuleux r\u00e9servoir de st\u00e9r\u00e9otypes pour aiguiser sa critique contre un pouvoir \u00e9tabli. Pas \u00e9tonnant que les journalistes \u00e0 la fois humili\u00e9s et fascin\u00e9s lui aient parfois rendu violemment la monnaie de sa prose.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tVictor Yu n\u2019est pas dupe du syst\u00e8me pour lequel il travaille. Pour lui, l\u2019info est un produit, le journal une entreprise m\u00e9diatique et lui un ouvrier de l\u2019information. Roland Barthes, happ\u00e9 par la mythologie ouvri\u00e8re des ann\u00e9es soixante-dix, aurait pu penser \u00e0 cette analogie. Cela aurait adouci sa plume\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tBref, Victor Yu, ouvrier de l\u2019information, s\u2019adapte au patron qui l\u2019emploie. Si celui-ci est un organe de presse gouvernemental, il sait quel cahier des charges il doit tenir. Sa libert\u00e9 est mince. Il fait le job et parfois discr\u00e8tement, d\u2019un geste d\u2019agacement rebelle, il <em>force le trait<\/em>. Son quotidien est rempli de cette geste minimaliste.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tR\u00e9cemment, il devait faire une news sur une \u00e9ni\u00e8me comm\u00e9moration de la guerre sino-japonaise. La ligne l\u2019oblige \u00e0 montrer le Japon sous un jour d\u00e9favorable, \u00e0 insister sur l\u2019histoire commune qui lie Ta\u00efwan \u00e0 la Chine \u2013 selon l\u2019esprit nationaliste panchinois en vigueur autour du pr\u00e9sident appelant \u00e0 une <em>\u00ab\u00a0int\u00e9gration mutuellement b\u00e9n\u00e9fique\u00a0\u00bb<\/em> (\u4e92\u5229\u878d\u5408<em>huli ronghe<\/em>) \u2013 et qu\u2019il vaut mieux taire par cons\u00e9quent que Ta\u00efwan \u00e0 cette \u00e9poque \u00e9tait tout simplement japonaise !<br \/>\nQu\u2019\u00e0 cela ne tienne, il op\u00e9rera un l\u00e9ger d\u00e9placement ironique\u2026 propre \u00e0 renverser les signes. Il aurait pu se contenter de rester neutre et d\u2019\u00e9crire que la R\u00e9publique de Chine avait les moyens de <em>vaincre<\/em> le Japon. Non, il a pr\u00e9f\u00e9r\u00e9 \u00e9crire qu\u2019elle avait les moyens de l\u2019<em>\u00e9craser<\/em> !<br \/>\nLa nuance est venimeuse.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tL\u2019ironie fera son effet et le poison agira \u00e0 la lecture. Pour celui qui sait lire <em>au-del\u00e0 des lignes<\/em>, toute la c\u00e9r\u00e9monie sentira la fumisterie. Petite victoire quotidienne certes, mais qui permet de garder la conscience vive.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tJe lui ai soumis un article de Guillebaud sur Albert Londres ; vous savez : <em>\u00ab\u00a0le reporter ne conna\u00eet qu\u2019une ligne\u2026 celle du chemin de fer\u2026\u00a0\u00bb<\/em>. C\u2019\u00e9tait surtout un article qui \u00e9voquait le complexe que les universitaires avaient fait peser sur l\u2019\u00e9criture des journalistes dans les ann\u00e9es 70. On aurait tr\u00e8s bien pu reconna\u00eetre Roland Barthes dans la figure de l\u2019universitaire. Le journalisme depuis avait pris sa revanche et le grand reportage avait reconquis ses lettres de noblesse.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tMais en r\u00e9alit\u00e9, l\u2019universitaire et le journaliste souffraient d\u2019un m\u00eame mal, celui de n\u2019\u00eatre pas des \u00e9crivains. Celui de n\u2019\u00eatre que des <em>\u00e9crivants<\/em>, aurait dit le s\u00e9miologue. Prose gouvernementale d\u2019un c\u00f4t\u00e9, \u00e9criture acad\u00e9mique de l\u2019autre\u2026 On soigne notre frustration en fr\u00e9quentant <em>Asialyst<\/em>\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tAujourd\u2019hui, travers\u00e9e du vieux quartier de Shuang Lian (\u96d9\u9023). Il a d\u00e9gain\u00e9 son matos. Pas facile comme exercice : fixer, shooter, remercier. Je ne serais pas \u00e0 l\u2019aise avec un tel mat\u00e9riel. Mais en le regardant et en l\u2019\u00e9coutant, on sent qu\u2019il prend du plaisir, qu\u2019il s\u2019affranchit de la ligne, qu\u2019il fait corps avec la grammaire de la rue, qu\u2019il est \u00e0 l\u2019aff\u00fbt du trait de style, qu\u2019il a le sens du <em>punctum<\/em>. Dans le march\u00e9, je laisse ouvert mon micro pendant qu\u2019il photographie les commer\u00e7ants et en profite pour improviser ce ha\u00efku\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<blockquote>\n\t\tClich\u00e9 \u00e0 Shuang lian<br \/>\nInterviewer un journaliste<br \/>\nEt remonter le march\u00e9 \u00e0 contre-courant\u2026\t<\/blockquote>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-nord-est\/\" rel=\"tag\">Asie du Nord-Est<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/regards\/\" rel=\"tag\">Regards<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/taipei\/\" rel=\"tag\">Taipei<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/taiwan\/\" rel=\"tag\">Taiwan<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2015%2F11%2F06%2Fcinquieme-trait%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Cinqui%C3%A8me+trait&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2015%2F11%2F06%2Fcinquieme-trait%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2015%2F11%2F06%2Fcinquieme-trait%2F&title=Cinqui%C3%A8me+trait\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2015%2F11%2F06%2Fcinquieme-trait%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2015%2F11%2FTAIWAN-GROS-PHOTOGRAPHE-300x211.jpg&description=Cinqui%C3%A8me+trait\" target=\"_blank\">Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/8675e31120c19204d6b139f5d1b5d6db-150x150.png' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/ivan-gros\/\">\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un <a href=\"http:\/\/litteratureappliquee.blogspot.tw\">cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2015\/10\/09\/premier-trait\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/TAIWAN-GROS-BASKET-600x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Un basket \u00e0 minuit. (Cr\u00e9dit : Ivan Gros)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/TAIWAN-GROS-BASKET-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/TAIWAN-GROS-BASKET-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/TAIWAN-GROS-BASKET-900x600.jpg 900w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>Premier Trait<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2015\/11\/03\/inde-facilite-a-faire-des-affaires-le-dur-combat\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/INDE-COMMERCE-CAMION-600x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Image d'un camion surcharg\u00e9 sur une route en Inde\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/INDE-COMMERCE-CAMION-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/INDE-COMMERCE-CAMION-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/INDE-COMMERCE-CAMION-900x600.jpg 900w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Economie<\/span><h4>Inde : \"facilit\u00e9 \u00e0 faire des affaires\", le dur combat<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cette semaine, notre ha\u00efku sonore suit pas \u00e0 pas le journaliste et photographe Victor Yu.<\/p>\n","protected":false},"author":172,"featured_media":6204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,194,447,21],"class_list":["post-6201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-asie-du-nord-est","tag-regards","tag-taipei","tag-taiwan"],"yoast_head":"\n<title>Cinqui\u00e8me trait - Asialyst<\/title>\n<meta name=\"description\" content=\"Cette semaine, notre ha\u00efku sonore suit pas \u00e0 pas le journaliste et photographe Victor Yu.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2015\/11\/06\/cinquieme-trait\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinqui\u00e8me trait - Asialyst\" \/>\n<meta property=\"og:description\" content=\"Cette semaine, notre ha\u00efku sonore suit pas \u00e0 pas le journaliste et photographe Victor Yu.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2015\/11\/06\/cinquieme-trait\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-06T08:42:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-11-06T08:42:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/TAIWAN-GROS-PHOTOGRAPHE.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"721\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ivan Gros\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ivan Gros\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/\"},\"author\":{\"name\":\"Ivan Gros\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/11e2b98d9bb7face25f5825159aa881d\"},\"headline\":\"Cinqui\u00e8me trait\",\"datePublished\":\"2015-11-06T08:42:37+00:00\",\"dateModified\":\"2015-11-06T08:42:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/\"},\"wordCount\":1033,\"commentCount\":3,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/TAIWAN-GROS-PHOTOGRAPHE.jpg\",\"keywords\":[\"Asie du Nord-Est\",\"Regards\",\"Taipei\",\"Taiwan\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2015\\\/11\\\/06\\\/cinquieme-trait\\\/\",\"name\":\"Cinqui\u00e8me trait - 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