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{"id":53657,"date":"2021-09-28T10:32:55","date_gmt":"2021-09-28T08:32:55","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2021\/09\/28\/brouillon-regard-exemplaire-copy-2-copy-copy-copy-3\/"},"modified":"2021-10-09T22:00:52","modified_gmt":"2021-10-09T20:00:52","slug":"cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/","title":{"rendered":"Cin\u00e9ma d&rsquo;auteur chinois : le 4e Festival Allers-Retours sous le signe de l&rsquo;intime"},"content":{"rendered":"<div class=\"container\">\n\t<meta itemprop=\"keywords\" content=\"Culture\" \/>\n\t<a href=\"https:\/\/asialyst.com\/fr\/culture\/\" class=\"category category-12\">Culture<\/a><br \/>\n\t<time datetime=\"2021-09-28T10:32:55Z\" itemprop=\"datePublished\">\n\t\tPubli\u00e9 28 Septembre 2021<br \/>\n\t\tMis \u00e0 jour 09 Octobre 2021\t<\/time>\n\t<meta itemprop=\"dateModified\" content=\"2021-10-09T22:00:52Z\" \/>\n<\/div>\n<div class=\"container\">\n<div class=\"surtitre\" itemprop=\"headline\">Cin\u00e9ma<\/div><\/div>\n<div class=\"container\">\n\t<h1 itemprop=\"name\">Cin\u00e9ma d'auteur chinois : le 4e Festival Allers-Retours sous le signe de l'intime<\/h1>\n<\/div>\n<div class=\"container\">\n  <div class=\"authors\">\n    <ul>\n    \t        <li class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n          <a href=\"https:\/\/asialyst.com\/fr\/auteur\/gwenaelgermain\/\" class=\"category-color\" itemprop=\"url\">\n            <span itemprop=\"name\" class=\"name\">\n              Gwena\u00ebl Germain            <\/span>\n            <img data-del=\"avatar\" alt=\"Gwena\u00ebl Germain\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/06\/Portrait-gwenael-germain-150x150.jpg' class='avatar pp-user-avatar avatar-150 photo ' height='150' width='150'\/>          <\/a>\n        <\/li>\n    \t    <\/ul>\n  <\/div>\n<\/div>\n<div class=\"container\">\n  <div class=\"photo-une\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n    <figure>\n      <a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02.jpg\" class=\"article-image\" title=\"Sc\u00e8ne du film \"Striding Into the Wind\" de Wei Shujun. (Cr\u00e9dits : Festival Allers-Retours)\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02.jpg\" class=\"img-responsive\" alt=\"Sc\u00e8ne du film &quot;Striding Into the Wind&quot; de Wei Shujun. (Cr\u00e9dits : Festival Allers-Retours)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02.jpg 2000w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-250x167.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-1024x682.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-150x100.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-768x512.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-1536x1024.jpg 1536w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-200x133.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-900x600.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-1280x853.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-1600x1067.jpg 1600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02-680x453.jpg 680w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a>\n      <meta itemprop=\"height\" content=\"2000\"\/>\n      <meta itemprop=\"width\" content=\"1333\"\/>\n      <meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/\"\/>\n      <figcaption class=\"legend\" itemprop=\"description\">\n      \t<div class=\"container\">\n        \tSc\u00e8ne du film \"Striding Into the Wind\" de Wei Shujun. (Cr\u00e9dits : Festival Allers-Retours)        <\/div>\n      <\/figcaption>\n    <\/figure>\n  <\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\tApr\u00e8s un an et demi d&rsquo;absence en salles, le Festival Allers-Retours a rouvert ses portes le 17 septembre dernier. Pour cette quatri\u00e8me \u00e9dition, le festival du cin\u00e9ma d&rsquo;auteur chinois est de nouveau accueilli au Mus\u00e9e Guimet, le mus\u00e9e national des arts asiatiques. Il se poursuit au mythique Studio des Ursulines jusqu&rsquo;au 1er octobre. Au programme : des larmes, des rires, des d\u00e9couvertes et des retrouvailles \u00e0 travers la projection de neuf longs m\u00e9trages et huit courts. Suivez le guide.\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tD\u00e9but 2020, le Festival Allers-Retours avait \u00e9t\u00e9 l&rsquo;un des tout derniers \u00e9v\u00e9nements cin\u00e9matographiques \u00e0 se tenir \u00e0 Paris avant que la crise du Covid-19 ne vienne s&rsquo;abattre sur la France. Une troisi\u00e8me \u00e9dition du festival qui nous avait particuli\u00e8rement enchant\u00e9s par la qualit\u00e9 et la diversit\u00e9 de sa s\u00e9lection, mais aussi par les efforts impressionnants de l&rsquo;\u00e9quipe de b\u00e9n\u00e9voles pour organiser un maximum de rencontres avec les r\u00e9alisatrices et les r\u00e9alisateurs des films pr\u00e9sent\u00e9s. C&rsquo;est donc avec un immense plaisir et une certaine excitation que nous attendions l&rsquo;ouverture de cette quatri\u00e8me \u00e9dition.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tSi le cin\u00e9ma commercial chinois arrive \u00e0 se frayer &#8211; difficilement &#8211; un chemin jusqu&rsquo;en France, en particulier \u00e0 travers quelques co-productions avec l&rsquo;Occident, le cin\u00e9ma d&rsquo;auteur, hormis celui de quelques grands noms comme Wang Bing ou Jia Zhangke, est quasiment invisible dans nos contr\u00e9es. C&rsquo;est pour r\u00e9pondre \u00e0 ce manque que le festival Allers-Retours s&rsquo;est cr\u00e9\u00e9 il y a quatre ans, offrant chaque ann\u00e9e de d\u00e9couvrir de nombreuses perles cach\u00e9es. Parmi elles, le splendide film d&rsquo;espionnage <em>Saturday Fiction <\/em>du r\u00e9alisateur Lou Ye, projetant dans un Shanghai colonis\u00e9 par l&#8217;empire japonais quelques heures avant l&rsquo;attaque de Pearl Harbor. Autre d\u00e9couverte poignante, <a href=\"https:\/\/asialyst.com\/fr\/2020\/07\/30\/chine-cinema-chinois-a-dog-barking-at-the-moon-xiang-zi-homosexualite-mariage-convenance\/\" rel=\"noopener\" target=\"_blank\"><em>A dog barking at the moon <\/em>de la r\u00e9alisatrice Xiang Zi<\/a>, qui traite du tabou de l&rsquo;homosexualit\u00e9 et de la communication interg\u00e9n\u00e9rationnelle. Deux films qui ont \u00e9t\u00e9 projet\u00e9s lors de la troisi\u00e8me \u00e9dition du festival.\t<\/div>\n<\/div>\n\n<div class=\"photo-text paragraph\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n\t<figure>\n\t\t<a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours.jpg\" class=\"article-image\" title=\"Dans \"Striding into the Wind\" de Wei Shujun, le spectateur suit le parcours de deux jeunes e\u0301tudiants un peu punks. (Cr\u00e9dits Festival Allers-Retours)\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"724\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours.jpg\" class=\"img-responsive\" alt=\"Dans &quot;Striding into the Wind&quot; de Wei Shujun, le spectateur suit le parcours de deux jeunes e\u0301tudiants un peu punks. (Cr\u00e9dits Festival Allers-Retours)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours.jpg 1200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-250x151.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-1024x618.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-150x91.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-768x463.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-200x121.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-300x181.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-600x362.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-900x543.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-02-Dans-Striding-into-the-Wind-le-spectateur-suit-le-parcours-de-deux-jeunes-e\u0301tudiants-un-peu-punks-Credits-Festival-Allers-Retours-680x410.jpg 680w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t<meta itemprop=\"height\" content=\"1200\"\/>\n\t\t<meta itemprop=\"width\" content=\"724\"\/>\n\t\t<meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/\"\/>\n\t\t<figcaption class=\"legend\" itemprop=\"description\">\n\t\t  \tDans \"Striding into the Wind\" de Wei Shujun, le spectateur suit le parcours de deux jeunes e\u0301tudiants un peu punks. (Cr\u00e9dits Festival Allers-Retours)\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tApr\u00e8s une \u00e9dition 2020 qui nous avait fait voyager \u00e0 travers les diff\u00e9rentes r\u00e9gions de la Chine, ce cru 2021 se place, \u00e0 l&rsquo;inverse, sous le th\u00e8me de l&rsquo;intime. Dans cette s\u00e9lection de neuf longs m\u00e9trages et huit courts, l&rsquo;intime se d\u00e9cline comme exp\u00e9rience personnelle du r\u00e9alisateur, \u00e0 commencer par le film d&rsquo;ouverture du festival, <em>Striding into the Wind <\/em>de Wei Shujun. Soit les d\u00e9boires de deux \u00e9tudiants sympathiques, mais un peu punk, qui pr\u00e9f\u00e8rent courir apr\u00e8s l&rsquo;argent plut\u00f4t que d&rsquo;user les bancs de leur fac de cin\u00e9ma. De petits boulots en magouilles, les deux comparses rencontrent une galerie de personnages truculents qui sont autant de clins d&rsquo;\u0153il aux exp\u00e9riences v\u00e9cues par le r\u00e9alisateur dans sa prime jeunesse.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tPlus poignant, <em>The R\u00e9unions <\/em>de Dong Chengpeng, est \u00e0 la crois\u00e9e des chemins entre docu-fiction et reportage. Alors que le r\u00e9alisateur retourne dans son village familial dans le but de filmer la fa\u00e7on dont sa grand-m\u00e8re f\u00eate le Nouvel An lunaire, celle-ci d\u00e9c\u00e8de subitement. Dong d\u00e9cide alors de continuer son film et de recueillir le t\u00e9moignage de toute une famille r\u00e9unie par le deuil. Une situation \u00f4 combien universelle, \u00e9galement abord\u00e9e par <em>The Choice <\/em>de la r\u00e9alisatrice Gu Xue. cette derni\u00e8re filme en un seul plan s\u00e9quence la r\u00e9union d&rsquo;une autre famille qui doit d\u00e9cider d&rsquo;une solution alors qu&rsquo;une des tantes est en unit\u00e9 de soins intensifs.\t<\/div>\n<\/div>\n\n<div class=\"photo-text paragraph\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n\t<figure>\n\t\t<a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours.jpeg\" class=\"article-image\" title=\"Dans \"The Cloud in her Room\" de Zheng Lu Xinyuan, la jeune Muzi erre dans une ville en reconstruction. (Cr\u00e9dits : Festival Allers-Retours)\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours.jpeg\" class=\"img-responsive\" alt=\"Dans &quot;The Cloud in her Room&quot; de Zheng Lu Xinyuan, la jeune Muzi erre dans une ville en reconstruction. (Cr\u00e9dits : Festival Allers-Retours)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours.jpeg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-250x141.jpeg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-1024x576.jpeg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-150x84.jpeg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-768x432.jpeg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-200x113.jpeg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-300x169.jpeg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-600x338.jpeg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-900x506.jpeg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/FARFAC-03-Dans-The-Cloud-in-her-Room-la-jeune-Muzi-erre-dans-une-ville-en-reconstruction-Credits-Festival-Allers-Retours-680x383.jpeg 680w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\n\t\t<meta itemprop=\"height\" content=\"1280\"\/>\n\t\t<meta itemprop=\"width\" content=\"720\"\/>\n\t\t<meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/\"\/>\n\t\t<figcaption class=\"legend\" itemprop=\"description\">\n\t\t  \tDans \"The Cloud in her Room\" de Zheng Lu Xinyuan, la jeune Muzi erre dans une ville en reconstruction. (Cr\u00e9dits : Festival Allers-Retours)\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tAutre forme d&rsquo;intime, notre coup de c\u0153ur \u00e0 ce moment du festival, <em>The cloud in her room, <\/em>se concentre moins sur les exp\u00e9riences v\u00e9cues par sa r\u00e9alisatrice que par le voyage int\u00e9rieur de son personnage principal, Muzi, qui revient dans sa ville natale de Hangzhou tandis que le couple de ses parents s&rsquo;est effiloch\u00e9. Confront\u00e9e \u00e0 l&rsquo;instabilit\u00e9 familiale et \u00e0 la constante \u00e9volution de la ville, la jeune femme au visage ind\u00e9chiffrable essaye de composer avec une r\u00e9alit\u00e9 vaporeuse et trouve refuge dans l&rsquo;ancien appartement de la famille, en instance de d\u00e9molition. Dans un noir et blanc somptueux et une r\u00e9alisation tr\u00e8s visuelle, la r\u00e9alisatrice Zheng Lu Xinyuan nous propose un film sensible et onirique qui pr\u00e9f\u00e8re le ressenti des \u00e9motions \u00e0 la lin\u00e9arit\u00e9 narrative. Le film sortira en salles fran\u00e7aises le 1er d\u00e9cembre prochain.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Par Gwena\u00ebl Germain<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-nord-est\/\" rel=\"tag\">Asie du Nord-Est<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/chine\/\" rel=\"tag\">Chine<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/cinema\/\" rel=\"tag\">Cin\u00e9ma<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/film-dauteur\/\" rel=\"tag\">Film d'auteur<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/seconde-guerre-mondiale\/\" rel=\"tag\">Seconde guerre mondiale<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/shanghai\/\" rel=\"tag\">Shanghai<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t        <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2021%2F09%2F28%2Fcinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Cin%C3%A9ma+d%27auteur+chinois+%3A+le+4e+Festival+Allers-Retours+sous+le+signe+de+l%27intime&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2021%2F09%2F28%2Fcinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2021%2F09%2F28%2Fcinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime%2F&title=Cin%C3%A9ma+d%27auteur+chinois+%3A+le+4e+Festival+Allers-Retours+sous+le+signe+de+l%27intime\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2021%2F09%2F28%2Fcinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2021%2F09%2FStriding-Into-the-Wind-de-Wei-Shujun_02-250x167.jpg&description=Cin%C3%A9ma+d%27auteur+chinois+%3A+le+4e+Festival+Allers-Retours+sous+le+signe+de+l%27intime\" target=\"_blank\">Share on Pinterest<\/a>\t        \t    <\/div>\r\n\t    \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/06\/Portrait-gwenael-germain-150x150.jpg' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/gwenaelgermain\/\">\n\t\t\t\t\t\t\tGwena\u00ebl Germain\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tGwena\u00ebl Germain est psychologue social sp\u00e9cialis\u00e9 sur les questions interculturelles. Depuis 2007, il n\u2019a eu de cesse de voyager en Asie du Sud-Est, avant de s\u2019installer pour plusieurs mois \u00e0 S\u00e9oul et y r\u00e9aliser une enqu\u00eate de terrain. Particuli\u00e8rement int\u00e9ress\u00e9 par la question f\u00e9ministe, il \u00e9crit actuellement un livre d\u2019entretiens consacr\u00e9 aux femmes cor\u00e9ennes.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2021\/07\/30\/cinema-le-soupir-des-vagues-etranger-est-aussi-japonais\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-600x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Sc\u00e8ne du film &quot;le soupir des vagues&quot; du r\u00e9alisateur japonais Koji Fukada. (Cr\u00e9dit : DR)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-250x167.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-1024x683.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-150x100.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-768x512.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-200x133.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-900x600.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1-680x454.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/07\/LSDV-1.jpg 1280w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>Cin\u00e9ma : \"Le Soupir des vagues\" de Koji Fukada, l'\u00e9tranger est aussi japonais<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2021\/05\/22\/sortie-dvd-coree-du-sud-petite-foret-film-ode-gastronomie-campagnes-sud-coreennes\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-594x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"L\u2019actrice sud-cor\u00e9enne Kim Tae-ri dans le film &quot;Petite For\u00eat&quot;. (Cr\u00e9dits : Borealiafilms)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-594x400.jpg 594w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-250x168.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-1024x689.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-150x101.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-768x517.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-1536x1034.jpg 1536w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-200x135.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-297x200.jpg 297w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-891x600.jpg 891w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-1267x853.jpg 1267w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-1585x1067.jpg 1585w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film-680x458.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/05\/05-petite-foret-film.jpg 2020w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>Sortie DVD : \"Petite For\u00eat\", ode \u00e0 la gastronomie des campagnes sud-cor\u00e9ennes<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s un an et demi d&rsquo;absence en salles, le Festival Allers-Retours a rouvert ses portes le 17 septembre dernier. Pour cette quatri\u00e8me \u00e9dition, le festival du cin\u00e9ma d&rsquo;auteur chinois est de nouveau accueilli au Mus\u00e9e Guimet, le mus\u00e9e national des arts asiatiques. Il se poursuit au mythique Studio des Ursulines jusqu&rsquo;au 1er octobre. Au programme : des larmes, des rires, des d\u00e9couvertes et des retrouvailles \u00e0 travers la projection de neuf longs m\u00e9trages et huit courts. Suivez le guide.<\/p>\n","protected":false},"author":719,"featured_media":53665,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,22,255,1755,320,349],"class_list":["post-53657","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-asie-du-nord-est","tag-chine","tag-cinema","tag-film-dauteur","tag-seconde-guerre-mondiale","tag-shanghai"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9ma d&#039;auteur chinois : le 4e Festival Allers-Retours sous le signe de l&#039;intime - Asialyst<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9ma d&#039;auteur chinois : le 4e Festival Allers-Retours sous le signe de l&#039;intime - Asialyst\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s un an et demi d&#039;absence en salles, le Festival Allers-Retours a rouvert ses portes le 17 septembre dernier. Pour cette quatri\u00e8me \u00e9dition, le festival du cin\u00e9ma d&#039;auteur chinois est de nouveau accueilli au Mus\u00e9e Guimet, le mus\u00e9e national des arts asiatiques. Il se poursuit au mythique Studio des Ursulines jusqu&#039;au 1er octobre. Au programme : des larmes, des rires, des d\u00e9couvertes et des retrouvailles \u00e0 travers la projection de neuf longs m\u00e9trages et huit courts. Suivez le guide.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2021\/09\/28\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-28T08:32:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-09T20:00:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2021\/09\/Striding-Into-the-Wind-de-Wei-Shujun_02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gwena\u00ebl Germain\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gwena\u00ebl Germain\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/\"},\"author\":{\"name\":\"Gwena\u00ebl Germain\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/83e67719f095d86fa7f49b2ddc16b7cb\"},\"headline\":\"Cin\u00e9ma d&rsquo;auteur chinois : le 4e Festival Allers-Retours sous le signe de l&rsquo;intime\",\"datePublished\":\"2021-09-28T08:32:55+00:00\",\"dateModified\":\"2021-10-09T20:00:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/\"},\"wordCount\":867,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Striding-Into-the-Wind-de-Wei-Shujun_02.jpg\",\"keywords\":[\"Asie du Nord-Est\",\"Chine\",\"Cin\u00e9ma\",\"Film d'auteur\",\"Seconde guerre mondiale\",\"Shanghai\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2021\\\/09\\\/28\\\/cinema-auteur-chinois-chine-4e-festival-allers-retours-signe-intime\\\/\",\"name\":\"Cin\u00e9ma d'auteur chinois : le 4e Festival Allers-Retours sous le signe de l'intime - 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