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{"id":46648,"date":"2020-02-19T08:27:43","date_gmt":"2020-02-19T07:27:43","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2020\/02\/19\/brouillon-regards-copy-3-copy-copy-copy-copy-2-copy-copy-copy-4\/"},"modified":"2020-02-21T11:49:14","modified_gmt":"2020-02-21T10:49:14","slug":"cinema-vesoul-singapour-wet-season-femme-quete-emancipation","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2020\/02\/19\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\/","title":{"rendered":"Cin\u00e9ma \u00e0 Vesoul : \u00ab\u00a0Wet Season\u00a0\u00bb, une femme en qu\u00eate d&rsquo;\u00e9mancipation \u00e0 Singapour"},"content":{"rendered":"<div class=\"container\">\n\t<meta itemprop=\"keywords\" content=\"Culture\" \/>\n\t<a href=\"https:\/\/asialyst.com\/fr\/culture\/\" class=\"category category-12\">Culture<\/a><br \/>\n\t<time datetime=\"2020-02-19T08:27:43Z\" itemprop=\"datePublished\">\n\t\tPubli\u00e9 19 F\u00e9vrier 2020<br \/>\n\t\tMis \u00e0 jour 21 F\u00e9vrier 2020\t<\/time>\n\t<meta itemprop=\"dateModified\" content=\"2020-02-21T11:49:14Z\" \/>\n<\/div>\n<div class=\"container\">\n<div class=\"surtitre\" itemprop=\"headline\">Cin\u00e9ma<\/div><\/div>\n<div class=\"container\">\n\t<h1 itemprop=\"name\">Cin\u00e9ma \u00e0 Vesoul : \"Wet Season\", une femme en qu\u00eate d'\u00e9mancipation \u00e0 Singapour<\/h1>\n<\/div>\n<div class=\"container\">\n  <div class=\"authors\">\n    <ul>\n    \t        <li class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n          <a href=\"https:\/\/asialyst.com\/fr\/auteur\/cyrielle-cabot\/\" class=\"category-color\" itemprop=\"url\">\n            <span itemprop=\"name\" class=\"name\">\n              Cyrielle Cabot            <\/span>\n            <img data-del=\"avatar\" alt=\"Cyrielle Cabot\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/10\/unnamed-150x150.png' class='avatar pp-user-avatar avatar-150 photo ' height='150' width='150'\/>          <\/a>\n        <\/li>\n    \t    <\/ul>\n  <\/div>\n<\/div>\n<div class=\"container\">\n  <div class=\"photo-une\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n    <figure>\n      <a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb.jpg\" class=\"article-image\" title=\"Sc\u00e8ne du film singapourien \"Wet Season\" d'Anthony Chen, projet\u00e9 au festival international des cin\u00e9mas d'Asie de Vesoul du 11 au 18 f\u00e9vrier 2020. (Cr\u00e9dit : DR)\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"472\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb.jpg\" class=\"img-responsive\" alt=\"Sc\u00e8ne du film singapourien &quot;Wet Season&quot; d&#039;Anthony Chen, projet\u00e9 au festival international des cin\u00e9mas d&#039;Asie de Vesoul du 11 au 18 f\u00e9vrier 2020. (Cr\u00e9dit : DR)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb.jpg 700w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-250x169.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-150x101.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-200x135.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-297x200.jpg 297w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-593x400.jpg 593w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb-680x459.jpg 680w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a>\n      <meta itemprop=\"height\" content=\"700\"\/>\n      <meta itemprop=\"width\" content=\"472\"\/>\n      <meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2020\/02\/19\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\/\"\/>\n      <figcaption class=\"legend\" itemprop=\"description\">\n      \t<div class=\"container\">\n        \tSc\u00e8ne du film singapourien \"Wet Season\" d'Anthony Chen, projet\u00e9 au festival international des cin\u00e9mas d'Asie de Vesoul du 11 au 18 f\u00e9vrier 2020. (Cr\u00e9dit : DR)        <\/div>\n      <\/figcaption>\n    <\/figure>\n  <\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\tLe r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film <em>Ilo Ilo, <\/em>revient apr\u00e8s six ans d&rsquo;absence avec <em>Wet Season. <\/em>En salles ce mercredi, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au 26\u00e8me <a href=\"https:\/\/www.cinemas-asie.com\/fr\/\" rel=\"noopener noreferrer\" target=\"_blank\">Festival international des cin\u00e9mas d&rsquo;Asie (FICA)<\/a> de Vesoul, qui a eu lieu du 11 au 18 f\u00e9vrier.\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tIl pleut sur Singapour. La mousson est arriv\u00e9e avec ses averses quotidiennes. Le d\u00e9cor de <em>Wet Season <\/em>est plant\u00e9. Et quoi de mieux qu&rsquo;une pluie battante pour accompagner un drame ? Dans <em>Ilo Ilo, <\/em>r\u00e9compens\u00e9 d&rsquo;une Cam\u00e9ra d&rsquo;or en 2013 \u00e0 Cannes, une gouvernante philippine nouait une relation troublante avec le fils de la famille qui l&rsquo;avait engag\u00e9. Cette fois-ci, le cin\u00e9aste reprend une intrigue similaire et raconte l&rsquo;amiti\u00e9 naissante d&rsquo;une enseignante avec un de ses \u00e9l\u00e8ves. Il va n\u00e9anmoins pousser leur relation beaucoup plus loin&#8230;\t<\/div>\n<\/div>\n\n\n<div class=\"container\">\n\t<h2>Une femme soumise aux d\u00e9sirs des hommes<\/h2>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tAu quotidien, la vie de Ling est aussi morose que la m\u00e9t\u00e9o de Singapour. Enseignante dans un lyc\u00e9e hupp\u00e9 de la cit\u00e9-\u00c9tat, elle tente d&rsquo;inculquer le mandarin \u00e0 des \u00e9l\u00e8ves qui n&rsquo;ont d&rsquo;yeux que pour l&rsquo;anglais et les math\u00e9matiques. Sa vie priv\u00e9e n&rsquo;est pas plus r\u00e9jouissante : elle tente depuis des ann\u00e9es d&rsquo;avoir un enfant, en vain. Alors qu&rsquo;elle multiplie les traitements et les rendez-vous gyn\u00e9cologiques, elle voit son mari s&rsquo;\u00e9loigner peu \u00e0 peu d&rsquo;elle. Avec un \u00e9poux totalement absent, elle se retrouve seule pour s&rsquo;occuper de son beau-p\u00e8re handicap\u00e9, qu&rsquo;elle aime toutefois \u00e9norm\u00e9ment.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NHzl9vsacAg\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLing encaisse sans cesse les humiliations de ses \u00e9l\u00e8ves et de ses coll\u00e8gues, les refus d&rsquo;affection de son mari, les r\u00e9sultats n\u00e9gatifs chez la gyn\u00e9cologue\u2026 Alors quand un de ses \u00e9l\u00e8ves, Wei Lun, adolescent rayonnant et attendrissant, commence \u00e0 montrer de l&rsquo;int\u00e9r\u00eat pour sa mati\u00e8re et pour elle, Ling y trouve une source de r\u00e9confort. Progressivement, l&rsquo;enseignante et l&rsquo;\u00e9l\u00e8ve passent de plus en plus de temps ensemble. Aux cours de soutien scolaire viennent doucement s&rsquo;ajouter des trajets en voiture puis des repas partag\u00e9s. Ling se laisse aller \u00e0 son r\u00f4le de m\u00e8re contrari\u00e9, d&rsquo;autant plus que les parents de Wei Lun sont aux abonn\u00e9s absents.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tPendant pr\u00e8s d&rsquo;une heure, le spectateur voit la relation entre les deux protagonistes devenir de plus en plus intime et les sentiments de l&rsquo;\u00e9l\u00e8ve pour son enseignante se renforcer. On attend le moment fatidique o\u00f9 la situation va d\u00e9g\u00e9n\u00e9rer. Ce qui finalement arrive dans une sc\u00e8ne on ne peut plus troublante.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<h2>Une photographie exceptionnelle<\/h2>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tSur le fond, le sc\u00e9nario ne pr\u00e9sente aucune surprise. Cette romance entre une professeure et un \u00e9l\u00e8ve laisse m\u00eame un amer go\u00fbt de d\u00e9j\u00e0 vu. Si Anthony Chen prend le parti d&rsquo;un jeu d&rsquo;acteurs tout en retenue, on regrettera que la psychologie des personnages ne soit pas plus d\u00e9velopp\u00e9e. D&rsquo;autant plus quand on sait que la femme d&rsquo;Anthony Chen a elle-m\u00eame connu des difficult\u00e9s pour concevoir un enfant alors que son mari \u00e9tait en pleine r\u00e9alisation du film.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tMais <em>Wet Season <\/em>est sauv\u00e9 par sa photographie, particuli\u00e8rement r\u00e9ussie. Son ambiance bleut\u00e9e dit tout de l&rsquo;univers froid dans lequel \u00e9volue Ling o\u00f9 seul le ciel verse des larmes. Certaines sc\u00e8nes sauvent le sc\u00e9nario. On notera le beau moment o\u00f9 Ling et Wei Lun s&rsquo;enlacent sous une pluie battante au milieu d&rsquo;un champs pour mettre fin \u00e0 une histoire qui n&rsquo;aurait jamais d\u00fb \u00eatre. Peut-\u00eatre plus frappant encore, cette sc\u00e8ne si sensuelle o\u00f9 Ling et son \u00e9l\u00e8ve partagent un durian dans une salle de classe.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tGr\u00e2ce aux jeux tout en finesse des deux acteurs, les excellents Yeo Yann Yann et Koh Jia Ler, Anthony Chen parvient aussi \u00e0 d\u00e9peindre avec justesse la r\u00e9alit\u00e9 sociale de ces femmes de classes sup\u00e9rieures de Singapour, dont les d\u00e9sirs sont \u00e9touff\u00e9s par la pression sociale. L&rsquo;\u00e9mancipation de Ling, \u00e0 la fin du film, arrachera certainement quelques sourires dans les salles. De retour chez sa m\u00e8re, dans sa Malaisie natale, Ling semble avoir tout perdu. Elle regarde alors le ciel : la mousson est termin\u00e9e. Les nuages laissent place au soleil et \u00e0 un nouvel avenir \u00e0 \u00e9crire.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Par Cyrielle Cabot<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"large large\" style=\"background-color:#961157;\">\n\t<div class=\"container\">\n\t\t<div class=\"sub-article\">\n\t\t\t<h2>Le Palmar\u00e8s du Festival international des Cin\u00e9mas d'Asie de Vesoul 2020<\/h2>\n\t\t\t<p><strong>Cyclo d&rsquo;honneur : Jay Jeon<\/strong> (Cor\u00e9e du Sud), directeur du festival International du Film de Busan en Cor\u00e9e, pour honorer l&rsquo;ensemble de sa carri\u00e8re.<\/p>\n<p><strong>Cyclo d&rsquo;or : <em>Mariam <\/em>de Sharipa Urazbayeva<\/strong> (Kazakhstan) <em>\u00ab\u00a0pour le portrait poignant d\u2019une femme en lutte pour la survie de sa famille dans une soci\u00e9t\u00e9 traditionnelle\u00a0\u00bb.<\/em><\/p>\n<p><strong>Grand prix du jury international : <em>Just Like That <\/em>de Kislay Kislay<\/strong> (Inde) <em>\u00ab\u00a0pour le sensible portrait d&rsquo;une femme \u00e2g\u00e9e prenant son ind\u00e9pendance et sa libert\u00e9 une fois devenue veuve\u00a0\u00bb.<\/em><\/p>\n<p><strong>Prix du jury international : ex aequo <em>John Denver Trending <\/em>d&rsquo;Arden Rod B. Condez<\/strong> (Philippines) <em>\u00ab\u00a0pour la mani\u00e8re tr\u00e8s intelligente d\u2019aborder le th\u00e8me actuel du harc\u00e8lement sur les r\u00e9seaux sociaux sur la jeunesse\u00a0\u00bb<\/em> et <strong><em>A Bedsore <\/em>de Shim Hye-jung<\/strong> (Cor\u00e9e du Sud) <em>\u00ab\u00a0pour la subtile description de la fin de vie d\u2019une personne et ses cons\u00e9quences sur sa famille et son entourage\u00a0\u00bb.<\/em><\/p>\n<p><strong>Prix du jury Netpac (network for the promotion of Asian Cinema) : <em>Saturday afternoon <\/em>de Mostaga Sarwar Farooki<\/strong> (Bangladesh) <em>\u00ab\u00a0pour la d\u00e9nonciation du recours \u00e0 la violence au nom de la religion et \u00e0 des fins politiques\u00a0\u00bb.<\/em><\/p>\n<p><strong>Prix de la critique : <em>John Denver Trending <\/em>d&rsquo;Arden Rod B. Condez<\/strong> (Philippines)<\/p>\n<p><strong>Prix Inalco : <em>A Bedsore <\/em>de Shim Hye-jung<\/strong> (Cor\u00e9e du Sud)<\/p>\n<p><strong>Coup de c\u0153ur Inalco : <em>Just like that <\/em>de Kislay Kislay<\/strong> (Inde)<\/p>\n<p><strong>Prix du public du film de fiction : <em>John Denver Trending <\/em>d&rsquo;Arden Rod B. Condez<\/strong> (Philippines)<\/p>\n<p><strong>Prix du Jury lyc\u00e9en : <em>Saturday Afternoon <\/em>de Mostofa Sarwar Farooki<\/strong> (Bangladesh)<\/p>\n<p><strong>Prix du public du film documentaire : <em>We Must clown <\/em>de Dima Al-Joundi<\/strong> (Liban)<\/p>\n<p><strong>Prix du jury jeune : <em>A punk daydream <\/em>de Jimmy Hendrickx &#038; Kristian Van der Heyden<\/strong> (Belgique)<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-sud-est\/\" rel=\"tag\">Asie du Sud-Est<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/cinema\/\" rel=\"tag\">Cin\u00e9ma<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/femmes\/\" rel=\"tag\">femmes<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/festival-international-des-cinemas-dasie-de-vesoul\/\" rel=\"tag\">Festival international des cin\u00e9mas d'Asie de Vesoul<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/singapour\/\" rel=\"tag\">Singapour<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t        <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2020%2F02%2F19%2Fcinema-vesoul-singapour-wet-season-femme-quete-emancipation%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Cin%C3%A9ma+%C3%A0+Vesoul+%3A+%22Wet+Season%22%2C+une+femme+en+qu%C3%AAte+d%27%C3%A9mancipation+%C3%A0+Singapour&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2020%2F02%2F19%2Fcinema-vesoul-singapour-wet-season-femme-quete-emancipation%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2020%2F02%2F19%2Fcinema-vesoul-singapour-wet-season-femme-quete-emancipation%2F&title=Cin%C3%A9ma+%C3%A0+Vesoul+%3A+%22Wet+Season%22%2C+une+femme+en+qu%C3%AAte+d%27%C3%A9mancipation+%C3%A0+Singapour\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2020%2F02%2F19%2Fcinema-vesoul-singapour-wet-season-femme-quete-emancipation%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2020%2F02%2Fwetseasonsweb-250x169.jpg&description=Cin%C3%A9ma+%C3%A0+Vesoul+%3A+%22Wet+Season%22%2C+une+femme+en+qu%C3%AAte+d%27%C3%A9mancipation+%C3%A0+Singapour\" target=\"_blank\">Share on Pinterest<\/a>\t        \t    <\/div>\r\n\t    \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/10\/unnamed-150x150.png' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/cyrielle-cabot\/\">\n\t\t\t\t\t\t\tCyrielle Cabot\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tJeune journaliste dipl\u00f4m\u00e9e de l\u2019\u00e9cole du CELSA (Paris-Sorbonne), Cyrielle Cabot est passionn\u00e9e par l\u2019Asie du Sud-Est, en particulier la Tha\u00eflande, la Birmanie et les questions de soci\u00e9t\u00e9. Elle est pass\u00e9e par l\u2019Agence-France Presse \u00e0 Bangkok, Lib\u00e9ration et Le Monde.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2020\/02\/17\/cinema-vesoul-hava-maryam-ayesha-triptyque-feministe-afghanistan\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-507x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Sc\u00e8ne du film &quot;Hava, Maryam, Ayesha&quot; de la r\u00e9alisatrice afghane Sahraa Karimi, pr\u00e9sent\u00e9 au festival international des Cin\u00e9mas d&#039;Asie \u00e0 Vesoul. (Source : Est R\u00e9publicain)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-507x400.jpg 507w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-250x197.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-1024x808.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-150x118.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-768x606.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-1536x1212.jpg 1536w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-200x158.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-254x200.jpg 254w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-761x600.jpg 761w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-1081x853.jpg 1081w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-1353x1067.jpg 1353w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540-680x536.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/illustration-hava-maryam-ayesha_1-1580225540.jpg 1600w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>Cin\u00e9ma \u00e0 Vesoul : \"Hava, Maryam, Ayesha\", triptyque f\u00e9ministe en Afghanistan<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2020\/02\/17\/cinema-vesoul-dark-dark-man-thriller-steppes-kazakhstan\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"251\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-600x251.jpg\" class=\"img-responsive wp-post-image\" alt=\"Sc\u00e8ne du film kazakhstanais &quot;A dark, dark man&quot; d&#039;Adilkhan Yerzhanov pr\u00e9sent\u00e9 au Festival ionternational des Cin\u00e9mas d&#039;Asie \u00e0 Vesoul. (Source : Arizonafilms)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-600x251.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-250x105.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-1024x429.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-150x63.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-768x321.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-1536x643.jpg 1536w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-200x84.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-300x126.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-900x377.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-1280x536.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-1600x670.jpg 1600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1-680x285.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/A-DARK-DARK-MAN-3-2000x837-1.jpg 2000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>Cin\u00e9ma \u00e0 Vesoul : \"A Dark, Dark Man\", thriller dans les steppes kazakhes<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film \u00ab\u00a0Ilo Ilo\u00a0\u00bb, revient apr\u00e8s six ans d&rsquo;absence avec \u00ab\u00a0Wet Season\u00a0\u00bb. En salles ce mercredi, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au 26\u00e8me de Vesoul, qui a eu lieu du 11 au 18 f\u00e9vrier.<\/p>\n","protected":false},"author":31,"featured_media":46652,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[14,255,6,1857,13],"class_list":["post-46648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-asie-du-sud-est","tag-cinema","tag-femmes","tag-festival-international-des-cinemas-dasie-de-vesoul","tag-singapour"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9ma \u00e0 Vesoul : &quot;Wet Season&quot;, une femme en qu\u00eate d&#039;\u00e9mancipation \u00e0 Singapour - Asialyst<\/title>\n<meta name=\"description\" content=\"Le r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film &quot;Ilo Ilo&quot;, revient apr\u00e8s six ans d&#039;absence avec &quot;Wet Season&quot;. En salles ce mercredi, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au 26\u00e8me de Vesoul, qui a eu lieu du 11 au 18 f\u00e9vrier.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2020\/02\/19\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9ma \u00e0 Vesoul : &quot;Wet Season&quot;, une femme en qu\u00eate d&#039;\u00e9mancipation \u00e0 Singapour\" \/>\n<meta property=\"og:description\" content=\"Le r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film &quot;Ilo Ilo&quot;, revient apr\u00e8s six ans d&#039;absence avec &quot;Wet Season&quot;. En salles ce mercredi, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au 26\u00e8me de Vesoul, qui a eu lieu du 11 au 18 f\u00e9vrier.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2020\/02\/19\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2020-02-19T07:27:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-02-21T10:49:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"472\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"La R\u00e9daction\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Cin\u00e9ma \u00e0 Vesoul : &quot;Wet Season&quot;, une femme en qu\u00eate d&#039;\u00e9mancipation \u00e0 Singapour\" \/>\n<meta name=\"twitter:description\" content=\"Le r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film &quot;Ilo Ilo&quot;, revient apr\u00e8s six ans d&#039;absence avec &quot;Wet Season&quot;. En salles ce mercredi, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant-premi\u00e8re au 26\u00e8me de Vesoul, qui a eu lieu du 11 au 18 f\u00e9vrier.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/wetseasonsweb.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"La R\u00e9daction\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/\"},\"author\":{\"name\":\"La R\u00e9daction\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/ffafd6c23ab0d1dfe4b1ea1c12a67a31\"},\"headline\":\"Cin\u00e9ma \u00e0 Vesoul : \u00ab\u00a0Wet Season\u00a0\u00bb, une femme en qu\u00eate d&rsquo;\u00e9mancipation \u00e0 Singapour\",\"datePublished\":\"2020-02-19T07:27:43+00:00\",\"dateModified\":\"2020-02-21T10:49:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/\"},\"wordCount\":1161,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/wetseasonsweb.jpg\",\"keywords\":[\"Asie du Sud-Est\",\"Cin\u00e9ma\",\"femmes\",\"Festival international des cin\u00e9mas d'Asie de Vesoul\",\"Singapour\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/\",\"name\":\"Cin\u00e9ma \u00e0 Vesoul : \\\"Wet Season\\\", une femme en qu\u00eate d'\u00e9mancipation \u00e0 Singapour - Asialyst\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2020\\\/02\\\/19\\\/cinema-vesoul-singapour-wet-season-femme-quete-emancipation\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/wetseasonsweb.jpg\",\"datePublished\":\"2020-02-19T07:27:43+00:00\",\"dateModified\":\"2020-02-21T10:49:14+00:00\",\"description\":\"Le r\u00e9alisateur singapourien Anthony Chen, remarqu\u00e9 en 2013 pour son film \\\"Ilo Ilo\\\", revient apr\u00e8s six ans d'absence avec \\\"Wet Season\\\". 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