﻿<br />
<b>Warning</b>:  Undefined array key "p" in <b>/home/asialyst/www/releases/20250606081313/fr/wp-content/themes/asialyst_v2.3/shortcodes/article-category.php</b> on line <b>9</b><br />
{"id":41308,"date":"2018-11-15T09:20:55","date_gmt":"2018-11-15T08:20:55","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/lesbos-dignite-perdue-migrants-afghans-camp-moria-copy\/"},"modified":"2018-11-19T16:56:12","modified_gmt":"2018-11-19T15:56:12","slug":"cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/","title":{"rendered":"Cin\u00e9ma : \u00ab\u00a0Marlina, la tueuse en quatre actes\u00a0\u00bb, un western f\u00e9ministe en Indon\u00e9sie"},"content":{"rendered":"<div class=\"container\">\n\t<meta itemprop=\"keywords\" content=\"Culture\" \/>\n\t<a href=\"https:\/\/asialyst.com\/fr\/culture\/\" class=\"category category-12\">Culture<\/a><br \/>\n\t<time datetime=\"2018-11-15T09:20:55Z\" itemprop=\"datePublished\">\n\t\tPubli\u00e9 15 Novembre 2018<br \/>\n\t\tMis \u00e0 jour 19 Novembre 2018\t<\/time>\n\t<meta itemprop=\"dateModified\" content=\"2018-11-19T16:56:12Z\" \/>\n<\/div>\n<div class=\"container\">\n<div class=\"surtitre\" itemprop=\"headline\">Films asiatiques<\/div><\/div>\n<div class=\"container\">\n\t<h1 itemprop=\"name\">Cin\u00e9ma : \"Marlina, la tueuse en quatre actes\", un western f\u00e9ministe en Indon\u00e9sie<\/h1>\n<\/div>\n<div class=\"container\">\n  <div class=\"authors\">\n    <ul>\n    \t        <li class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n          <a href=\"https:\/\/asialyst.com\/fr\/auteur\/marinejeannin\/\" class=\"category-color\" itemprop=\"url\">\n            <span itemprop=\"name\" class=\"name\">\n              Marine Jeannin            <\/span>\n            <img data-del=\"avatar\" alt=\"Marine Jeannin\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/portrait-marine-jeannin-150x150.jpeg' class='avatar pp-user-avatar avatar-150 photo ' height='150' width='150'\/>          <\/a>\n        <\/li>\n    \t    <\/ul>\n  <\/div>\n<\/div>\n<div class=\"container\">\n  <div class=\"photo-une\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n    <figure>\n      <a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg\" class=\"article-image\" title=\"Extrait du film indon\u00e9sien \"Marlina la tueuse, en quatre actes\" de la r\u00e9alisatrice Mouly Surya. (Source : Culture Box)\"><img loading=\"lazy\" decoding=\"async\" width=\"1599\" height=\"799\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg\" class=\"img-responsive\" alt=\"Extrait du film indon\u00e9sien &quot;Marlina la tueuse, en quatre actes&quot; de la r\u00e9alisatrice Mouly Surya. (Source : Culture Box)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg 1599w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-150x75.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-250x125.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-768x384.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-1024x512.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-200x100.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-300x150.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-600x300.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-900x450.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-1280x640.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse-680x340.jpg 680w\" sizes=\"auto, (max-width: 1599px) 100vw, 1599px\" \/><\/a>\n      <meta itemprop=\"height\" content=\"1599\"\/>\n      <meta itemprop=\"width\" content=\"799\"\/>\n      <meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/\"\/>\n      <figcaption class=\"legend\" itemprop=\"description\">\n      \t<div class=\"container\">\n        \tExtrait du film indon\u00e9sien \"Marlina la tueuse, en quatre actes\" de la r\u00e9alisatrice Mouly Surya. (Source : <a href=\"https:\/\/culturebox.francetvinfo.fr\/cinema\/evenements\/festival-de-cannes\/les-critiques-0\/marlina-la-tueuse-en-quatre-actes-tarantinesque-western-feministe-indonesien-256801\" rel=\"noopener\" target=\"_blank\">Culture Box<\/a>)        <\/div>\n      <\/figcaption>\n    <\/figure>\n  <\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\tR\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, <em>Marlina, la tueuse en quatre actes<\/em> a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d&rsquo;une femme sur l&rsquo;\u00eele de Sumba.\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\t<em>Attention, cet article d\u00e9voile des moments-clefs de l&rsquo;intrigue, notamment la fin du film.<\/em>\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tUne femme seule, \u00e0 cheval sur une route d\u00e9serte, portant une t\u00eate humaine attach\u00e9e \u00e0 la selle. On pense \u00e0 l&rsquo;Ouest am\u00e9ricain de Sergio Leone, mais c&rsquo;est en Indon\u00e9sie que se d\u00e9roule <em>Marlina, la tueuse en quatre actes,<\/em> le dernier bijou de Mouly Surya. Sur l&rsquo;\u00eele de Sumba, plus pr\u00e9cis\u00e9ment. <em>\u00ab\u00a0Dans cette \u00eele \u00e0 majorit\u00e9 animiste marapu,<\/em> raconte la r\u00e9alisatrice dans les m\u00e9dias, <em>les habitants se baladent avec des sabres \u00e0 la ceinture et la place de la femme est \u00e0 la cuisine.\u00a0\u00bb<\/em>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<h2>\u00ab\u00a0Au d\u00e9but, j\u2019avais juste cette image d&rsquo;une femme dans le bus, avec une t\u00eate sur les genoux.\u00a0\u00bb<\/h2>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tD\u00e8s l\u2019ouverture, Marlina se pose comme un film de genre : la musique de Zeke Khaseli et Yudhi Arfani rappelle Ennio Morricone, les plans fixes de la steppe <em>Hateful Eight<\/em> de Tarantino. Appara\u00eet \u00e0 l&rsquo;\u00e9cran un homme \u00e2g\u00e9, \u00e0 la silhouette s\u00e8che, qui roule sur son scooter jusqu&rsquo;\u00e0 une petite maison. Marlina y vit seule avec ses bestiaux et le cadavre momifi\u00e9 de son mari. L&rsquo;homme, Markus, a rep\u00e9r\u00e9 la jeune veuve pour sa beaut\u00e9 et son b\u00e9tail. Il a pr\u00e9venu ses hommes, qui arrivent pour la d\u00e9pouiller et la violer. <em>\u00ab\u00a0Ce soir, tu seras la femme la plus chanceuse du monde\u00a0\u00bb,<\/em> promet-il sans ironie, avant de l&rsquo;envoyer en cuisine pr\u00e9parer de la soupe au poulet. En attendant le repas, les brigands \u00e9changent en riant les souvenirs de leur dernier viol. Marlina, elle, empoisonne la soupe en silence. Seul survivant, Markus parvient \u00e0 la violer &#8211; elle le d\u00e9capite avec son sabre et br\u00fble son instrument, un <em><a href=\"http:\/\/www.auralarchipelago.com\/auralarchipelago\/ataratu\" rel=\"noopener\" target=\"_blank\">jungga.<\/a><\/em>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tVoil\u00e0 pour le premier acte. Les trois autres suivront Marlina dans son voyage aller et retour, entre sa maison pleine de cadavres et le poste de police, o\u00f9 personne ne l&rsquo;\u00e9coutera. Novi, sa voisine enceinte d&rsquo;un mari violent, l&rsquo;accompagne. Elle deviendra peu \u00e0 peu son amie. \u00c0 la main, Marlina porte toujours la t\u00eate de Markus et le sabre qui l&rsquo;a tu\u00e9. Son fant\u00f4me sans t\u00eate la suit en jouant du <em>jungga.<\/em> <em>\u00ab\u00a0L\u2019id\u00e9e du film m&rsquo;est venue progressivement,<\/em> explique la r\u00e9alisatrice dans une interview pour la Quinzaine des r\u00e9alisateurs de Cannes. <em>Au d\u00e9but, j&rsquo;avais juste cette image d&rsquo;une femme dans le bus, avec une t\u00eate sur les genoux.\u00a0\u00bb<\/em>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sTuAVGhmgto\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<h2>Un film inscrit dans la tradition indon\u00e9sienne<\/h2>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLa d\u00e9capitation n&rsquo;est pas anodine. Dans la tradition marapue de Sumba, les morts touts-puissants vivent parmi les vivants, qui doivent respecter leur d\u00e9pouille et leur offrir une s\u00e9pulture d\u00e9cente. D&rsquo;o\u00f9 l&rsquo;obsession du dernier brigand pour retrouver la t\u00eate de Markus, qu&rsquo;il replace soigneusement sur ses \u00e9paules apr\u00e8s l\u2019avoir reprise de force \u00e0 Marlina.\t<\/div>\n<\/div>\n\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tC\u2019est \u00e9galement ce qui explique la pr\u00e9sence &#8211; surprenante pour un spectateur occidental &#8211; du mari d\u00e9funt dans la maison, assis par terre, son corps embaum\u00e9 envelopp\u00e9 de couvertures. Markus l&rsquo;annonce lui-m\u00eame dans les premi\u00e8res sc\u00e8nes : tant que Marlina n&rsquo;a pas les moyens d&rsquo;organiser des fun\u00e9railles &#8211; forc\u00e9ment grandioses &#8211; pour le mort, elle doit cohabiter avec lui. Il n&rsquo;est pas rare en Indon\u00e9sie que les c\u00e9r\u00e9monies fun\u00e9raires, tr\u00e8s on\u00e9reuses, soient ainsi report\u00e9es faute de finances, les corps conserv\u00e9s sur place jusqu\u2019\u00e0 l&rsquo;enterrement.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tD&rsquo;autres r\u00e9f\u00e9rences culturelles, nombreuses, pars\u00e8ment les sc\u00e8nes et les dialogues &#8211; on s&rsquo;\u00e9puiserait en vain \u00e0 les recenser toutes. C&rsquo;est surtout du point de vue de la r\u00e9alisation que Mouly Surya affirme son style \u00ab\u00a0\u00e0 l\u2019indon\u00e9sienne\u00a0\u00bb &#8211; avec une immense majorit\u00e9 de plans larges et fixes. <em>\u00ab\u00a0Je suis une de ces r\u00e9alisatrices qui n&rsquo;aiment pas les gros plans,<\/em> reconna\u00eet-elle dans la m\u00eame interview. <em>Je d\u00e9teste avoir de nombreux plans qui viennent d\u00e9couper l&rsquo;action.<\/em> <em>Je filme plut\u00f4t en plans fixes, parfois tr\u00e8s larges. On laisse les acteurs aller et venir devant la cam\u00e9ra, au lieu que ce soit elle qui vienne \u00e0 eux.\u00a0\u00bb<\/em> <em>\u00ab\u00a0La plupart des acteurs indon\u00e9siens viennent du th\u00e9\u00e2tre,<\/em> poursuit-elle. <em>Ils ont l\u2019habitude d&rsquo;avoir de la place sur sc\u00e8ne pour bouger. C&rsquo;est int\u00e9ressant de capturer ce mouvement dans un film.\u00a0\u00bb<\/em>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qSPXA7IlzJ8\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<h2>Sept meurtres, deux viols et une naissance<\/h2>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tTout indon\u00e9sien que soit <em>Marlina,<\/em> c&rsquo;est un western que nous offre Mouly Surya. Un western f\u00e9ministe : le p\u00e9riple sanglant de Marlina est aussi l&rsquo;histoire d&rsquo;une \u00e9mancipation. La jeune femme est absolument seule : mari\u00e9e \u00e0 une momie, m\u00e8re d&rsquo;un enfant mort en bas \u00e2ge, elle ne s&rsquo;occupe que de ses bestiaux. La petite fille qu&rsquo;elle rencontre pr\u00e8s du commissariat, et avec qui elle nouera une courte amiti\u00e9, n&rsquo;est qu\u2019un substitut passager : elle ne portera jamais d&rsquo;enfant sur ses genoux, seulement la t\u00eate de son violeur. Ic\u00f4ne vengeresse, elle souffre aussi de sa solitude. Malgr\u00e9 sa force et son courage, elle est viol\u00e9e \u00e0 deux reprises.<br \/>\n\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLa joviale Novi, elle, est d&rsquo;une sensualit\u00e9 et d&rsquo;une f\u00e9condit\u00e9 d\u00e9bordantes, mais soumise \u00e0 son \u00e9poux violent. Or \u00e0 la fin du film, les r\u00f4les s&rsquo;inversent : Novi, rel\u00e9gu\u00e9e \u00e0 la cuisine pendant le viol de Marlina, sauve la jeune femme en d\u00e9capitant le dernier brigand, dans une sc\u00e8ne qui fait \u00e9cho \u00e0 la mort de Markus au premier acte. Le courage de Marlina semble l&rsquo;avoir gagn\u00e9e \u00e0 son tour, elle qui se laissait jusque-l\u00e0 molester par son mari. Tout au long des quatre actes, la violence des femmes r\u00e9pond \u00e0 la violence des hommes, et le meurtre au viol.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tMais le film s&rsquo;ach\u00e8ve par une naissance : Novi accouche pr\u00e8s du corps du dernier brigand, d\u00e9livr\u00e9e par Marlina. Le lendemain matin, les deux femmes quittent la maison de la m\u00eame mani\u00e8re que Markus y est arriv\u00e9 &#8211; en scooter, le b\u00e9b\u00e9 dans les bras. Unies. On se gardera cependant de r\u00e9duire Marlina \u00e0 un simple western f\u00e9ministe, une version 2017 de <em>Kill Bill.<\/em> Le film semble \u00eatre d&rsquo;abord et avant tout un \u00e9loge de la sororit\u00e9.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Par Marine Jeannin<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-sud-est\/\" rel=\"tag\">Asie du Sud-Est<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/cinema\/\" rel=\"tag\">Cin\u00e9ma<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/feminisme\/\" rel=\"tag\">f\u00e9minisme<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/femmes\/\" rel=\"tag\">femmes<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/indonesie\/\" rel=\"tag\">Indon\u00e9sie<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/western\/\" rel=\"tag\">Western<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t        <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F11%2F15%2Fcinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Cin%C3%A9ma+%3A+%22Marlina%2C+la+tueuse+en+quatre+actes%22%2C+un+western+f%C3%A9ministe+en+Indon%C3%A9sie&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F11%2F15%2Fcinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F11%2F15%2Fcinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie%2F&title=Cin%C3%A9ma+%3A+%22Marlina%2C+la+tueuse+en+quatre+actes%22%2C+un+western+f%C3%A9ministe+en+Indon%C3%A9sie\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F11%2F15%2Fcinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2018%2F11%2Fcinema-indonesie-marlina-la-tueuse-250x125.jpg&description=Cin%C3%A9ma+%3A+%22Marlina%2C+la+tueuse+en+quatre+actes%22%2C+un+western+f%C3%A9ministe+en+Indon%C3%A9sie\" target=\"_blank\">Share on Pinterest<\/a>\t        \t    <\/div>\r\n\t    \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/portrait-marine-jeannin-150x150.jpeg' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/marinejeannin\/\">\n\t\t\t\t\t\t\tMarine Jeannin\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tJournaliste bas\u00e9e \u00e0 Accra (Ghana), Marine Jeannin est la correspondante de RFI, Le Monde, TV5 Monde, G\u00e9o et autres m\u00e9dias audiovisuelles et num\u00e9riques francophones.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2018\/08\/29\/indonesie-affaire-meiliana-bruits-mosquee-liberte-expression\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"312\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-600x312.jpg\" class=\"img-responsive wp-post-image\" alt=\"En Indon\u00e9sie, Meiliana, une Chinoise bouddhiste, a \u00e9t\u00e9 condamn\u00e9 \u00e0 18 mois de prison pour s&#039;\u00eatre plaint du bruit caus\u00e9 par les hauts-parleurs d&#039;une mosqu\u00e9e. (Source : Washington Post)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-600x312.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-150x78.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-250x130.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-768x399.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-1024x532.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-200x104.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-300x156.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-900x468.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-1280x665.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736-680x353.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/indonesie-meiliana-blaspheme-proces-e1535529348736.jpg 1484w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Soci\u00e9t\u00e9<\/span><h4>Indon\u00e9sie : l\u2019affaire Meiliana, les haut-parleurs de mosqu\u00e9e et la libert\u00e9 d'expression<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2018\/06\/28\/indonesie-reexamen-coran-ordre-du-jour\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"276\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-600x276.jpg\" class=\"img-responsive wp-post-image\" alt=\"Yahya Cholil Staquf, le secr\u00e9taire g\u00e9n\u00e9ral de la Nahdlatul Ulama, la plus grande organisation non gouvernementale islamique indon\u00e9sienne \u2013 et du monde - avec cinquante millions de membres revendiqu\u00e9s. (Source : NYU Arts and Sciences)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-600x276.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-150x69.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-250x115.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-768x353.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-200x92.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-300x138.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-900x413.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam-680x312.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/06\/yahya-indonesie-islam.jpg 980w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Soci\u00e9t\u00e9<\/span><h4>En Indon\u00e9sie, le r\u00e9examen du Coran est \u00e0 l'ordre du jour<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d&rsquo;une femme sur l&rsquo;\u00eele de Sumba.<\/p>\n","protected":false},"author":1610,"featured_media":41316,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[14,255,1572,6,105,1571],"class_list":["post-41308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-asie-du-sud-est","tag-cinema","tag-feminisme","tag-femmes","tag-indonesie","tag-western"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9ma : &quot;Marlina, la tueuse en quatre actes&quot;, un western f\u00e9ministe en Indon\u00e9sie - Asialyst<\/title>\n<meta name=\"description\" content=\"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d&#039;une femme sur l&#039;\u00eele de Sumba.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9ma : &quot;Marlina, la tueuse en quatre actes&quot;, un western f\u00e9ministe en Indon\u00e9sie\" \/>\n<meta property=\"og:description\" content=\"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d&#039;une femme sur l&#039;\u00eele de Sumba.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-15T08:20:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-11-19T15:56:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1599\" \/>\n\t<meta property=\"og:image:height\" content=\"799\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Marine Jeannin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Cin\u00e9ma : &quot;Marlina, la tueuse en quatre actes&quot;, un western f\u00e9ministe en Indon\u00e9sie\" \/>\n<meta name=\"twitter:description\" content=\"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d&#039;une femme sur l&#039;\u00eele de Sumba.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marine Jeannin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/\"},\"author\":{\"name\":\"Marine Jeannin\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/98799a51bd494926864d5d5dbf63d5f0\"},\"headline\":\"Cin\u00e9ma : \u00ab\u00a0Marlina, la tueuse en quatre actes\u00a0\u00bb, un western f\u00e9ministe en Indon\u00e9sie\",\"datePublished\":\"2018-11-15T08:20:55+00:00\",\"dateModified\":\"2018-11-19T15:56:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/\"},\"wordCount\":1234,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/cinema-indonesie-marlina-la-tueuse.jpg\",\"keywords\":[\"Asie du Sud-Est\",\"Cin\u00e9ma\",\"f\u00e9minisme\",\"femmes\",\"Indon\u00e9sie\",\"Western\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/\",\"name\":\"Cin\u00e9ma : \\\"Marlina, la tueuse en quatre actes\\\", un western f\u00e9ministe en Indon\u00e9sie - Asialyst\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/cinema-indonesie-marlina-la-tueuse.jpg\",\"datePublished\":\"2018-11-15T08:20:55+00:00\",\"dateModified\":\"2018-11-19T15:56:12+00:00\",\"description\":\"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d'une femme sur l'\u00eele de Sumba.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#primaryimage\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/cinema-indonesie-marlina-la-tueuse.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/cinema-indonesie-marlina-la-tueuse.jpg\",\"width\":1599,\"height\":799,\"caption\":\"Extrait du film indon\u00e9sien \\\"Marlina la tueuse, en quatre actes\\\" de la r\u00e9alisatrice Mouly Surya. (Source : Culture Box)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/11\\\/15\\\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cin\u00e9ma : \u00ab\u00a0Marlina, la tueuse en quatre actes\u00a0\u00bb, un western f\u00e9ministe en Indon\u00e9sie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"name\":\"Asialyst\",\"description\":\"Votre m\u00e9dia sur l Asie\",\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\",\"name\":\"Asialyst\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"width\":657,\"height\":165,\"caption\":\"Asialyst\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/Asialyst.fr\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/98799a51bd494926864d5d5dbf63d5f0\",\"name\":\"Marine Jeannin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/08\\\/portrait-marine-jeannin-150x150.jpeg\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/08\\\/portrait-marine-jeannin-150x150.jpeg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/08\\\/portrait-marine-jeannin-150x150.jpeg\",\"caption\":\"Marine Jeannin\"},\"description\":\"Journaliste bas\u00e9e \u00e0 Accra (Ghana), Marine Jeannin est la correspondante de RFI, Le Monde, TV5 Monde, G\u00e9o et autres m\u00e9dias audiovisuelles et num\u00e9riques francophones.\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/auteur\\\/marinejeannin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cin\u00e9ma : \"Marlina, la tueuse en quatre actes\", un western f\u00e9ministe en Indon\u00e9sie - Asialyst","description":"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d'une femme sur l'\u00eele de Sumba.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/","og_locale":"fr_FR","og_type":"article","og_title":"Cin\u00e9ma : \"Marlina, la tueuse en quatre actes\", un western f\u00e9ministe en Indon\u00e9sie","og_description":"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d'une femme sur l'\u00eele de Sumba.","og_url":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/","og_site_name":"Asialyst","article_publisher":"https:\/\/www.facebook.com\/Asialyst.fr","article_published_time":"2018-11-15T08:20:55+00:00","article_modified_time":"2018-11-19T15:56:12+00:00","og_image":[{"width":1599,"height":799,"url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","type":"image\/jpeg"}],"author":"Marine Jeannin","twitter_card":"summary_large_image","twitter_title":"Cin\u00e9ma : \"Marlina, la tueuse en quatre actes\", un western f\u00e9ministe en Indon\u00e9sie","twitter_description":"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d'une femme sur l'\u00eele de Sumba.","twitter_image":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","twitter_misc":{"\u00c9crit par":"Marine Jeannin","Dur\u00e9e de lecture estim\u00e9e":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#article","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/"},"author":{"name":"Marine Jeannin","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/98799a51bd494926864d5d5dbf63d5f0"},"headline":"Cin\u00e9ma : \u00ab\u00a0Marlina, la tueuse en quatre actes\u00a0\u00bb, un western f\u00e9ministe en Indon\u00e9sie","datePublished":"2018-11-15T08:20:55+00:00","dateModified":"2018-11-19T15:56:12+00:00","mainEntityOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/"},"wordCount":1234,"commentCount":0,"publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","keywords":["Asie du Sud-Est","Cin\u00e9ma","f\u00e9minisme","femmes","Indon\u00e9sie","Western"],"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/","url":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/","name":"Cin\u00e9ma : \"Marlina, la tueuse en quatre actes\", un western f\u00e9ministe en Indon\u00e9sie - Asialyst","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#primaryimage"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","datePublished":"2018-11-15T08:20:55+00:00","dateModified":"2018-11-19T15:56:12+00:00","description":"R\u00e9alis\u00e9 par la cin\u00e9aste indon\u00e9sienne Mouly Surya, le film a surpris les spectateurs de la Quinzaine des R\u00e9alisateurs 2017 \u00e0 Cannes. Ce western ultra-violent, qui emprunte \u00e0 Quentin Tarantino et \u00e0 Sergio Leone, met en sc\u00e8ne la vengeance d'une femme sur l'\u00eele de Sumba.","breadcrumb":{"@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#primaryimage","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/11\/cinema-indonesie-marlina-la-tueuse.jpg","width":1599,"height":799,"caption":"Extrait du film indon\u00e9sien \"Marlina la tueuse, en quatre actes\" de la r\u00e9alisatrice Mouly Surya. (Source : Culture Box)"},{"@type":"BreadcrumbList","@id":"https:\/\/asialyst.com\/fr\/2018\/11\/15\/cinema-marlina-la-tueuse-en-quatre-actes-western-feministe-indonesie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/asialyst.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Cin\u00e9ma : \u00ab\u00a0Marlina, la tueuse en quatre actes\u00a0\u00bb, un western f\u00e9ministe en Indon\u00e9sie"}]},{"@type":"WebSite","@id":"https:\/\/asialyst.com\/fr\/#website","url":"https:\/\/asialyst.com\/fr\/","name":"Asialyst","description":"Votre m\u00e9dia sur l Asie","publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asialyst.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/asialyst.com\/fr\/#organization","name":"Asialyst","url":"https:\/\/asialyst.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","width":657,"height":165,"caption":"Asialyst"},"image":{"@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Asialyst.fr"]},{"@type":"Person","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/98799a51bd494926864d5d5dbf63d5f0","name":"Marine Jeannin","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/portrait-marine-jeannin-150x150.jpeg","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/portrait-marine-jeannin-150x150.jpeg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/08\/portrait-marine-jeannin-150x150.jpeg","caption":"Marine Jeannin"},"description":"Journaliste bas\u00e9e \u00e0 Accra (Ghana), Marine Jeannin est la correspondante de RFI, Le Monde, TV5 Monde, G\u00e9o et autres m\u00e9dias audiovisuelles et num\u00e9riques francophones.","url":"https:\/\/asialyst.com\/fr\/auteur\/marinejeannin\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/41308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/1610"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=41308"}],"version-history":[{"count":12,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/41308\/revisions"}],"predecessor-version":[{"id":41330,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/41308\/revisions\/41330"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/41316"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=41308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=41308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=41308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}