﻿<br />
<b>Warning</b>:  Undefined array key "p" in <b>/home/asialyst/www/releases/20250606081313/fr/wp-content/themes/asialyst_v2.3/shortcodes/article-category.php</b> on line <b>9</b><br />
{"id":39259,"date":"2018-03-22T16:36:40","date_gmt":"2018-03-22T15:36:40","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/tout-sur-bd-asiatique-et-trois-visions-chine-copy\/"},"modified":"2018-03-22T18:25:39","modified_gmt":"2018-03-22T17:25:39","slug":"expo-photo-inde-entre-classes-moyennes-fantasmes-urbains","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/","title":{"rendered":"Expo photo : l&rsquo;Inde entre classes moyennes et fantasmes urbains"},"content":{"rendered":"<div class=\"container\">\n\t<meta itemprop=\"keywords\" content=\"Culture\" \/>\n\t<a href=\"https:\/\/asialyst.com\/fr\/culture\/\" class=\"category category-12\">Culture<\/a><br \/>\n\t<time datetime=\"2018-03-22T16:36:40Z\" itemprop=\"datePublished\">\n\t\tPubli\u00e9 22 Mars 2018<br \/>\n\t\tMis \u00e0 jour 22 Mars 2018\t<\/time>\n\t<meta itemprop=\"dateModified\" content=\"2018-03-22T18:25:39Z\" \/>\n<\/div>\n<div class=\"container\">\n<div class=\"surtitre\" itemprop=\"headline\">Photographes d'Asie<\/div><\/div>\n<div class=\"container\">\n\t<h1 itemprop=\"name\">Expo photo : l'Inde entre classes moyennes et fantasmes urbains<\/h1>\n<\/div>\n<div class=\"container\">\n  <div class=\"authors\">\n    <ul>\n    \t        <li class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n          <a href=\"https:\/\/asialyst.com\/fr\/auteur\/patrick-de-jacquelot\/\" class=\"category-color\" itemprop=\"url\">\n            <span itemprop=\"name\" class=\"name\">\n              Patrick de Jacquelot            <\/span>\n            <img data-del=\"avatar\" alt=\"Patrick de Jacquelot\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg' class='avatar pp-user-avatar avatar-150 photo ' height='150' width='150'\/>          <\/a>\n        <\/li>\n    \t    <\/ul>\n  <\/div>\n<\/div>\n<div class=\"container\">\n  <div class=\"photo-une\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n    <figure>\n      <a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\" class=\"article-image\" title=\"\"LUXURY LIVING BHIWADI - Sky Club on 18th Floor\" par Antoine Crestani. Gurgaon, Inde, 2017. (Copyright : Antoine Crestani)\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1282\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\" class=\"img-responsive\" alt=\"&quot;LUXURY LIVING BHIWADI - Sky Club on 18th Floor&quot; par Antoine Crestani. Gurgaon, Inde, 2017. (Copyright : Antoine Crestani)\" \/><\/a>\n      <meta itemprop=\"height\" content=\"1920\"\/>\n      <meta itemprop=\"width\" content=\"1282\"\/>\n      <meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/\"\/>\n      <figcaption class=\"legend\" itemprop=\"description\">\n      \t<div class=\"container\">\n        \t\"LUXURY LIVING BHIWADI - Sky Club on 18th Floor\" par Antoine Crestani. Gurgaon, Inde, 2017. (Copyright : Antoine Crestani)        <\/div>\n      <\/figcaption>\n    <\/figure>\n  <\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\tPlusieurs expositions du photographe Arthur Crestani permettent de d\u00e9couvrir son travail sur les villes auxquelles aspirent les Indiens de la classe \u00e9mergente. Entre les r\u00eaves de luxe et de modernit\u00e9 et la r\u00e9alit\u00e9 des tours de b\u00e9ton plant\u00e9es dans des terrains vagues.\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tAh, Gurgaon\u2026 Pour les Indiens des classes moyennes et sup\u00e9rieures, habiter dans cette ville nouvelle au sud de New Delhi est un r\u00eave, un symbole de r\u00e9ussite sociale, la garantie d\u2019un acc\u00e8s \u00e0 la modernit\u00e9. Pensez : il y a moins de vingt ans, cette zone situ\u00e9e \u00e0 une vingtaine de kilom\u00e8tres de la capitale \u00e9tait une \u00e9tendue de champs poussi\u00e9reux parsem\u00e9s de villages mis\u00e9rables. Aujourd\u2019hui, la ville compte plus d\u2019un million d\u2019habitants et abrite le principal quartier d\u2019affaires de la r\u00e9gion de Delhi, une sorte de \u00ab\u00a0La D\u00e9fense\u00a0\u00bb o\u00f9 les multinationales installent leurs si\u00e8ges indiens dans des tours flambant neuves. Aux immeubles de bureaux s\u2019ajoutent deux autres p\u00f4les urbains : des s\u00e9ries de <em>shopping malls<\/em> qui alignent les boutiques des marques occidentales et les r\u00e9sidences qui h\u00e9bergent les privil\u00e9gi\u00e9s autoris\u00e9s \u00e0 vivre le \u00ab\u00a0miracle \u00e9conomique\u00a0\u00bb indien \u2013 ou ce qui en tient lieu (voir <a href=\"http:\/\/www.frenchjournalist.com\/pages\/diapo\/Gurgaon.html\" rel=\"noopener\" target=\"_blank\">cette s\u00e9rie de photos<\/a> et <a href=\"http:\/\/www.frenchjournalist.com\/pages\/articles\/15-05-18Gurgaon.html\" rel=\"noopener\" target=\"_blank\">ce reportage<\/a> sur Gurgaon).\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t\u00ab\u00a0Privil\u00e9gi\u00e9s\u00a0\u00bb : tout est l\u00e0. Ces r\u00e9sidences sont con\u00e7ues comme des bulles mettant leurs occupants \u00e0 l\u2019abri des horreurs du monde ext\u00e9rieur \u2013 c\u2019est-\u00e0-dire des \u00e9preuves en tous genres que doivent affronter les Indiens ordinaires dans leur vie quotidienne. Pas de coupure d\u2019\u00e9lectricit\u00e9 gr\u00e2ce aux groupes \u00e9lectrog\u00e8nes priv\u00e9s, pas de manque d\u2019eau gr\u00e2ce aux forages souterrains (ill\u00e9gaux) ou aux livraisons par camions-citernes, pas de rigueur climatique gr\u00e2ce \u00e0 l\u2019air conditionn\u00e9 g\u00e9n\u00e9ralis\u00e9, pas d\u2019ins\u00e9curit\u00e9 gr\u00e2ce aux murs d\u2019enceinte et aux gardes omnipr\u00e9sents, pas de contacts ind\u00e9sirables avec ces Indiens pauvres dont on pr\u00e9f\u00e8re oublier l\u2019existence gr\u00e2ce \u00e0 une rigoureuse coh\u00e9sion sociale des r\u00e9sidents\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tPour r\u00e9pondre \u00e0 ce r\u00eave d\u2019une ville \u00e9chappant aux r\u00e9alit\u00e9s de l\u2019Inde contemporaine, une vaste industrie s\u2019est d\u00e9velopp\u00e9e. Les groupes immobiliers offrent aux habitants de Gurgaon (ainsi qu&rsquo;\u00e0 Noida, l\u2019autre ville nouvelle aux portes de Delhi, et petit \u00e0 petit dans les autres grandes villes indiennes) une large gamme de r\u00e9sidences. Certaines sont authentiquement luxueuses, \u00e0 l&rsquo;image des \u00ab\u00a0Magnolias\u00a0\u00bb de Gurgaon, qui se targuent d\u2019une vue plongeante sur le golf, rare poumon vert de la ville, ou des restaurants et salles de cin\u00e9ma priv\u00e9es. D&rsquo;autres r\u00e9sidences se r\u00e9duisent \u00e0 des barres de b\u00e9ton empilant des centaines d\u2019appartements autour d\u2019une piscine et d\u2019un <em>\u00ab\u00a0club house\u00a0\u00bb<\/em> sous-dimensionn\u00e9s. Pour les acqu\u00e9reurs potentiels, l&rsquo;effort financer est consid\u00e9rable, et parfois risqu\u00e9. La ru\u00e9e vers l\u2019or immobilier a en effet engendr\u00e9 des pratiques hautement discutables. Les promoteurs se financent en lan\u00e7ant continuellement de nouveaux programmes de d\u00e9veloppement. Les acheteurs attir\u00e9s par ces derniers versent des acomptes pouvant repr\u00e9senter un quart ou un tiers de la valeur de leur futur appartement, sommes que les constructeurs affectent \u00e0 l&rsquo;\u00e9dification de leurs projets des ann\u00e9es pr\u00e9c\u00e9dentes en une sorte de \u00ab\u00a0cavalerie\u00a0\u00bb \u00e0 hauts risques. Quand le mouvement s&rsquo;arr\u00eate, les souscripteurs se retrouvent avec des parts d&rsquo;appartements inexistants\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tPour alimenter cette fr\u00e9n\u00e9sie immobili\u00e8re, il faut donc convaincre en permanence de nouveaux clients. D\u2019o\u00f9 l&rsquo;importance de la publicit\u00e9 qui s&rsquo;\u00e9tale dans les journaux de la capitale et sur Internet. Elle v\u00e9hicule des images d&rsquo;immeubles futuristes \u00e9tincelants de lumi\u00e8res, \u00e9difi\u00e9s au milieu d\u2019espaces verts luxuriants et promettant une vie de r\u00eave r\u00e9serv\u00e9e aux <em>\u00ab\u00a0happy few\u00a0\u00bb,<\/em> aux membres de l&rsquo;\u00e9lite, aux acheteurs les plus exigeants\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tFascin\u00e9 par ces images souvent surr\u00e9alistes, Arthur Crestani les collectionne depuis des ann\u00e9es. Apr\u00e8s une premi\u00e8re ann\u00e9e pass\u00e9e \u00e0 Delhi dans le cadre de sa scolarit\u00e9 \u00e0 Sciences Po, le jeune Fran\u00e7ais a effectu\u00e9 plusieurs s\u00e9jours dans la capitale indienne. A l\u2019occasion d\u2019une recherche d\u2019appartement, il s\u2019est retrouv\u00e9 confront\u00e9 \u00e0 ces publicit\u00e9s pour des r\u00e9sidences <em>\u00ab\u00a0portant des noms italiens, fran\u00e7ais ou espagnols\u00a0\u00bb<\/em> (pour faire r\u00eaver) et <em>\u00ab\u00a0multipliant les r\u00e9f\u00e9rences \u00e0 Duba\u00ef ou Singapour\u00a0\u00bb<\/em> (en gage de modernit\u00e9), explique-t-il. Ayant compl\u00e9t\u00e9 sa formation par des \u00e9tudes de photographie \u00e0 l&rsquo;\u00c9cole Louis-Lumi\u00e8re, l\u2019artiste d\u00e9butant a cherch\u00e9 comment utiliser ces images qui <em>\u00ab\u00a0mettent en sc\u00e8ne des villes fantasm\u00e9es\u00a0\u00bb.<\/em> Petit \u00e0 petit est venue l\u2019id\u00e9e d\u2019une approche en trois phases. Premi\u00e8re \u00e9tape : le recueil des publicit\u00e9s, notamment dans les salons de promotion immobili\u00e8re tenus dans les grands h\u00f4tels des banlieues de Delhi. Des publicit\u00e9s dont il a fait reproduire les meilleures sur des b\u00e2ches de grandes dimensions.\t<\/div>\n<\/div>\n\n<div id=\"layerslider_133_ws6nizs7a4y8\" class=\"ls-wp-container fitvidsignore ls-selectable\" style=\"width:1204px;height:804px;max-width:1300px;margin:0 auto;margin-bottom: 0px;\"><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-1-1-e1521736785420.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"AVJ PLATINUM #1 - Enhancing Lifestyles...\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-2-e1521737091259.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"GSR DRIVE #2 - Inspired By The Expanses Of Central Park - New York and Hyde Park - London\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-3-e1521737162344.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"FAIRWEALTH BREEZE HOMES - Podium Living, 85% Green Area\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-4-e1521737276141.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"AR\u00cbTE - Twin Level Supersize Clubbing Zone Spread Over 12 000 Square Feet\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-5-e1521737510450.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"GSR DRIVE #1- If You Love Space, You Will Love GSR Drive\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-6-e1521737572621.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"ALPATHUM - Made For Leaders\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-7-e1521737654815.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"KLOCK TOWER - Satisfy Your Longing for Getting a Home That Looks\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-8-e1521737837879.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"ROYALE VILLE - A Rare Treat Of Elegance\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-e1521738042580.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"LUXURY LIVING BHIWADI - Sky Club on 18th Floor\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><div class=\"ls-slide\" data-ls=\"bgsize:contain;bgposition:50% 50%;duration:20000;\"><img decoding=\"async\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-10-e1521738124406.jpg\" class=\"ls-bg\" alt=\"Slide background\" \/><p style=\"top:730px;left:50%;text-align:initial;font-weight:400;font-style:normal;text-decoration:none;mix-blend-mode:normal;width:80%;padding-top:10px;padding-right:10px;padding-bottom:50px;padding-left:10px;font-family:'Open Sans';font-size:18px;line-height:23px;color:#fff;background:rgba(15, 15, 15, 0.81);white-space:normal;\" class=\"ls-l ls-text-layer\" data-ls=\"showinfo:1;position:relative;\">\"CASA BELLA - An Innovation Defined By Passion\" par Arthur Crestani. Gurgaon, Inde, 2017. (Copyright : Arthur Crestani)<\/p><\/div><\/div>\n&nbsp;<br \/>\n&nbsp;\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tDeuxi\u00e8me \u00e9tape : la recherche de lieux dans Gurgaon offrant un bon point de vue sur des ensembles immobiliers existants, et l&rsquo;installation d&rsquo;une b\u00e2che devant cette toile de fond. D\u00e9tail important : les publicit\u00e9s ainsi affich\u00e9es n\u2019ont aucun lien avec les immeubles photographi\u00e9s en fond de d\u00e9cor puisque, souligne Arthur Crestani, <em>\u00ab\u00a0le plus souvent, les travaux n&rsquo;ont m\u00eame pas commenc\u00e9\u00a0\u00bb.<\/em>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tTroisi\u00e8me \u00e9tape, enfin : une fois ce double d\u00e9cor plant\u00e9, l&rsquo;artiste invite les gens passant par l\u00e0 \u00e0 s\u2019y faire photographier. Il ne s\u2019agit nullement des habitants des r\u00e9sidences ou de ceux qui aspirent \u00e0 acheter un appartement de r\u00eave. Pour obtenir un point de vue sur un ensemble immobilier, il faut se placer \u00e0 une certaine distance et donc dans les terrains vagues qui les entourent syst\u00e9matiquement. L\u00e0 ne passent que les petites gens vivant dans les marges de Gurgaon : ouvriers, travailleurs journaliers, migrants\u2026 Les hommes (le plus souvent) et les femmes (quand elles acceptent de se faire photographier) qui apparaissent sur les photos de Crestani ne sont donc en rien les occupants potentiels de ces immeubles de r\u00eave : s\u2019ils y p\u00e9n\u00e8trent un jour, ce sera en tant que gardien ou femme de m\u00e9nage. <em>\u00ab\u00a0J\u2019ai privil\u00e9gi\u00e9 des personnages qui sont en marge de tout ce discours sur le luxe\u00a0\u00bb,<\/em> souligne-t-il.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tPour ces \u00ab\u00a0mod\u00e8les\u00a0\u00bb, le double d\u00e9cor devant lequel ils se font photographier \u2013 les immeubles r\u00e9els, les r\u00e9sidences fantasm\u00e9es \u2013 rel\u00e8ve donc de l\u2019imaginaire pur. Mais on retrouve l\u00e0 une tradition ancienne de la photographie populaire indienne : pendant l\u2019essentiel du si\u00e8cle dernier, il \u00e9tait de coutume dans les villages de se faire photographier devant des d\u00e9cors peints repr\u00e9sentant des lieux fantastiques comme des montagnes enneig\u00e9es ou des palais de maharajas\u2026\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLes photos qui r\u00e9sultent du travail de Crestani, avec leurs trois niveaux qui se compl\u00e8tent ou s\u2019opposent, offrent une illustration fascinante du formidable choc social et culturel qui affecte l&rsquo;Inde urbaine d\u2019aujourd\u2019hui. Il y a quelque chose de tr\u00e8s troublant \u00e0 observer ces repr\u00e9sentations compl\u00e8tement artificielles et fantasmatiques de villes id\u00e9ales s\u2019intercalant entre deux niveaux de r\u00e9alit\u00e9 : celui des empilements de b\u00e9ton qui en constituent la concr\u00e9tisation effective et celui des Indiens pauvres qui demeurent largement \u00e0 l\u2019\u00e9cart de cette \u00ab\u00a0modernit\u00e9\u00a0\u00bb. On aimerait que dans une \u00e9tape ult\u00e9rieure le photographe r\u00e9ussisse \u00e9galement \u00e0 capter dans son objectif les membres des classes moyennes confront\u00e9s directement \u00e0 leurs r\u00eaves et \u00e0 la r\u00e9alit\u00e9.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Par Patrick de Jacquelot<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"large large\" style=\"background-color:#961157;\">\n\t<div class=\"container\">\n\t\t<div class=\"sub-article\">\n\t\t\t<h2>A voir<\/h2>\n\t\t\t<p>\nLes travaux d&rsquo;Arthur Crestani sont pr\u00e9sent\u00e9s dans trois contextes diff\u00e9rents dans les semaines \u00e0 venir :<\/p>\n<p><strong>Au <a href=\"https:\/\/www.festival-circulations.com\/edition\/festival-circulations-2018\/\" rel=\"noopener\" target=\"_blank\">Festival Circulation(s) de la jeune photographie europ\u00e9enne<\/a>,<\/strong> du 17 mars au 6 mai. Le CENTQUATRE-Paris, 5 rue Curial, 75019 Paris. Crestani y montre sept de ses photos en tr\u00e8s grand format de 3,50 m par 2,40 m. Consultez <a href=\"https:\/\/www.festival-circulations.com\/artiste\/arthur-crestani\/\" rel=\"noopener\" target=\"_blank\">la page d&rsquo;Arthur Crestani sur le site du festival<\/a>. <\/p>\n<p><strong>A l&rsquo;exposition <a href=\"http:\/\/www.dauphineartcontemporain.com\" rel=\"noopener\" target=\"_blank\">(HORS) CADRE du Prix Dauphine pour l\u2019Art Contemporain<\/a>,<\/strong> du 3 au 5 avril, \u00e0 l&rsquo;Universit\u00e9 Paris-Dauphine, Porte Dauphine, Paris. Huit photos de Crestani, accompagn\u00e9es de trois b\u00e2ches et de vid\u00e9os publicitaires.  <\/p>\n<p><strong>Au <a href=\"http:\/\/tisseursdimages.com\" rel=\"noopener\" target=\"_blank\">Festival Influences indiennes<\/a> du 25 mai au 24 juin,<\/strong> \u00e0 Beaucouz\u00e9, pr\u00e8s d\u2019Angers. Une douzaine de photographies seront expos\u00e9es.<\/p>\n<p><strong>Consultez le <a href=\"http:\/\/arthurcrestani.com\" rel=\"noopener\" target=\"_blank\">site d&rsquo;Arthur Crestani<\/a><\/strong>.<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-sud\/\" rel=\"tag\">Asie du Sud<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/inde\/\" rel=\"tag\">Inde<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/photographie\/\" rel=\"tag\">photographie<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/temps-forts\/\" rel=\"tag\">temps forts<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/villes\/\" rel=\"tag\">villes<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t        <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F03%2F22%2Fexpo-photo-inde-entre-classes-moyennes-fantasmes-urbains%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Expo+photo+%3A+l%27Inde+entre+classes+moyennes+et+fantasmes+urbains&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F03%2F22%2Fexpo-photo-inde-entre-classes-moyennes-fantasmes-urbains%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F03%2F22%2Fexpo-photo-inde-entre-classes-moyennes-fantasmes-urbains%2F&title=Expo+photo+%3A+l%27Inde+entre+classes+moyennes+et+fantasmes+urbains\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2018%2F03%2F22%2Fexpo-photo-inde-entre-classes-moyennes-fantasmes-urbains%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2018%2F03%2FaCrestani_BadCityDreams-9-1-250x167.jpg&description=Expo+photo+%3A+l%27Inde+entre+classes+moyennes+et+fantasmes+urbains\" target=\"_blank\">Share on Pinterest<\/a>\t        \t    <\/div>\r\n\t    \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/patrick-de-jacquelot\/\">\n\t\t\t\t\t\t\tPatrick de Jacquelot\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tPatrick de Jacquelot est journaliste. De 2008 \u00e0 l\u2019\u00e9t\u00e9 2015, il a \u00e9t\u00e9 correspondant \u00e0 New Delhi des quotidiens \u00e9conomiques <em>La Tribune<\/em> (pendant deux ans) et <em>Les Echos<\/em> (pendant cinq ans), couvrant des sujets comme l\u2019\u00e9conomie, le business, la strat\u00e9gie des entreprises fran\u00e7aises en Inde, la vie politique et diplomatique, etc. Il a \u00e9galement r\u00e9alis\u00e9 de nombreux reportages en Inde et dans les pays voisins comme le Bangladesh, le Sri Lanka ou le Bhoutan pour ces deux quotidiens ainsi que pour le trimestriel <em>Chine Plus<\/em>. Pour <em>Asialyst<\/em>, il \u00e9crit sur l\u2019Inde et sa r\u00e9gion, et tient une chronique \u200b\u200b<a href=\"https:\/\/asialyst.com\/fr\/2017\/06\/26\/asie-dessinee-bd\/\">\"L'Asie dessin\u00e9e\"<\/a> consacr\u00e9e aux bandes dessin\u00e9es parlant de l\u2019Asie.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2018\/02\/23\/ministere-bonheur-supreme-arundhati-roy-inde-millier-histoires\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"220\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-600x220.jpg\" class=\"img-responsive wp-post-image\" alt=\"L&#039;\u00e9crivaine indienne Arundhati Roy. (Source : Grazia)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-600x220.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-150x55.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-250x92.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-768x282.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-1024x376.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-200x73.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-300x110.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-900x331.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-1280x470.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-1600x588.jpg 1600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833-680x250.jpg 680w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/02\/Arundhati-Roy-inde-e1519372077833.jpg 1900w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Culture<\/span><h4>\"Le Minist\u00e8re du Bonheur Supr\u00eame\" d'Arundhati Roy : l'Inde en un millier d'histoires<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2017\/12\/13\/michel-angot-etre-historien-inde-metier-dangereux\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"318\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-600x318.jpg\" class=\"img-responsive wp-post-image\" alt=\"Manifestation de militants hindouistes contre le film &quot;Padmavati&quot; du r\u00e9alisateur Sanjay Leela Bhansali, \u00e0 Calcutta le 22 novembre 2017. (Cr\u00e9dits : Debajyoti Chakraborty\/NurPhoto\/via AFP)\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-600x318.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-150x79.jpg 150w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-250x132.jpg 250w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-768x407.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-1024x543.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-200x106.jpg 200w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-300x159.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-900x477.jpg 900w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-1280x678.jpg 1280w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-1600x848.jpg 1600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2017\/12\/inde-pdmavati-film-manifestation-e1513181443823-680x360.jpg 680w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Histoire<\/span><h4>Michel Angot : \"Etre historien de l\u2019Inde est un m\u00e9tier dangereux\"<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.<\/p>\n","protected":false},"author":216,"featured_media":39269,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[4,3,482,193,1429],"class_list":["post-39259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-asie-du-sud","tag-inde","tag-photographie","tag-temps-forts","tag-villes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Expo photo : l&#039;Inde entre classes moyennes et fantasmes urbains - Asialyst<\/title>\n<meta name=\"description\" content=\"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expo photo : l&#039;Inde entre classes moyennes et fantasmes urbains\" \/>\n<meta property=\"og:description\" content=\"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/\" \/>\n<meta property=\"og:site_name\" content=\"Asialyst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Asialyst.fr\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-22T15:36:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-22T17:25:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1282\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Patrick de Jacquelot\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Expo photo : l&#039;Inde entre classes moyennes et fantasmes urbains\" \/>\n<meta name=\"twitter:description\" content=\"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Patrick de Jacquelot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/\"},\"author\":{\"name\":\"Patrick de Jacquelot\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/1e30257af16ee093490c6ec7c9d5b369\"},\"headline\":\"Expo photo : l&rsquo;Inde entre classes moyennes et fantasmes urbains\",\"datePublished\":\"2018-03-22T15:36:40+00:00\",\"dateModified\":\"2018-03-22T17:25:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/\"},\"wordCount\":1515,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\",\"keywords\":[\"Asie du Sud\",\"Inde\",\"photographie\",\"temps forts\",\"villes\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/\",\"name\":\"Expo photo : l'Inde entre classes moyennes et fantasmes urbains - Asialyst\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\",\"datePublished\":\"2018-03-22T15:36:40+00:00\",\"dateModified\":\"2018-03-22T17:25:39+00:00\",\"description\":\"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#primaryimage\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2018\\\/03\\\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg\",\"width\":1920,\"height\":1282,\"caption\":\"\\\"LUXURY LIVING BHIWADI - Sky Club on 18th Floor\\\" par Antoine Crestani. Gurgaon, Inde, 2017. (Copyright : Antoine Crestani)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/2018\\\/03\\\/22\\\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Expo photo : l&rsquo;Inde entre classes moyennes et fantasmes urbains\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"name\":\"Asialyst\",\"description\":\"Votre m\u00e9dia sur l Asie\",\"publisher\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#organization\",\"name\":\"Asialyst\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/04\\\/logo_blanc.png\",\"width\":657,\"height\":165,\"caption\":\"Asialyst\"},\"image\":{\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/Asialyst.fr\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/#\\\/schema\\\/person\\\/1e30257af16ee093490c6ec7c9d5b369\",\"name\":\"Patrick de Jacquelot\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg\",\"caption\":\"Patrick de Jacquelot\"},\"description\":\"Patrick de Jacquelot est journaliste. De 2008 \u00e0 l\u2019\u00e9t\u00e9 2015, il a \u00e9t\u00e9 correspondant \u00e0 New Delhi des quotidiens \u00e9conomiques La Tribune (pendant deux ans) et Les Echos (pendant cinq ans), couvrant des sujets comme l\u2019\u00e9conomie, le business, la strat\u00e9gie des entreprises fran\u00e7aises en Inde, la vie politique et diplomatique, etc. Il a \u00e9galement r\u00e9alis\u00e9 de nombreux reportages en Inde et dans les pays voisins comme le Bangladesh, le Sri Lanka ou le Bhoutan pour ces deux quotidiens ainsi que pour le trimestriel Chine Plus. Pour Asialyst, il \u00e9crit sur l\u2019Inde et sa r\u00e9gion, et tient une chronique \u200b\u200b\\\"L'Asie dessin\u00e9e\\\" consacr\u00e9e aux bandes dessin\u00e9es parlant de l\u2019Asie.\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/auteur\\\/patrick-de-jacquelot\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Expo photo : l'Inde entre classes moyennes et fantasmes urbains - Asialyst","description":"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/","og_locale":"fr_FR","og_type":"article","og_title":"Expo photo : l'Inde entre classes moyennes et fantasmes urbains","og_description":"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.","og_url":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/","og_site_name":"Asialyst","article_publisher":"https:\/\/www.facebook.com\/Asialyst.fr","article_published_time":"2018-03-22T15:36:40+00:00","article_modified_time":"2018-03-22T17:25:39+00:00","og_image":[{"width":1920,"height":1282,"url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","type":"image\/jpeg"}],"author":"Patrick de Jacquelot","twitter_card":"summary_large_image","twitter_title":"Expo photo : l'Inde entre classes moyennes et fantasmes urbains","twitter_description":"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.","twitter_image":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","twitter_misc":{"\u00c9crit par":"Patrick de Jacquelot","Dur\u00e9e de lecture estim\u00e9e":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#article","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/"},"author":{"name":"Patrick de Jacquelot","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/1e30257af16ee093490c6ec7c9d5b369"},"headline":"Expo photo : l&rsquo;Inde entre classes moyennes et fantasmes urbains","datePublished":"2018-03-22T15:36:40+00:00","dateModified":"2018-03-22T17:25:39+00:00","mainEntityOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/"},"wordCount":1515,"commentCount":0,"publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","keywords":["Asie du Sud","Inde","photographie","temps forts","villes"],"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/","url":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/","name":"Expo photo : l'Inde entre classes moyennes et fantasmes urbains - Asialyst","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#primaryimage"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","datePublished":"2018-03-22T15:36:40+00:00","dateModified":"2018-03-22T17:25:39+00:00","description":"Le photographe Arthur Crestani montre les villes d\u00e9sir\u00e9es par les Indiens de la classe \u00e9mergente. Entre r\u00eaves de luxe et r\u00e9alit\u00e9 du b\u00e9ton sur terrain vague.","breadcrumb":{"@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#primaryimage","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2018\/03\/aCrestani_BadCityDreams-9-1-e1521738347248.jpg","width":1920,"height":1282,"caption":"\"LUXURY LIVING BHIWADI - Sky Club on 18th Floor\" par Antoine Crestani. Gurgaon, Inde, 2017. (Copyright : Antoine Crestani)"},{"@type":"BreadcrumbList","@id":"https:\/\/asialyst.com\/fr\/2018\/03\/22\/expo-photo-inde-entre-classes-moyennes-fantasmes-urbains\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/asialyst.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Expo photo : l&rsquo;Inde entre classes moyennes et fantasmes urbains"}]},{"@type":"WebSite","@id":"https:\/\/asialyst.com\/fr\/#website","url":"https:\/\/asialyst.com\/fr\/","name":"Asialyst","description":"Votre m\u00e9dia sur l Asie","publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asialyst.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/asialyst.com\/fr\/#organization","name":"Asialyst","url":"https:\/\/asialyst.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","width":657,"height":165,"caption":"Asialyst"},"image":{"@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Asialyst.fr"]},{"@type":"Person","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/1e30257af16ee093490c6ec7c9d5b369","name":"Patrick de Jacquelot","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/11\/PORTRAIT-PATRICK-DE-JACQUELOT-150x150.jpg","caption":"Patrick de Jacquelot"},"description":"Patrick de Jacquelot est journaliste. De 2008 \u00e0 l\u2019\u00e9t\u00e9 2015, il a \u00e9t\u00e9 correspondant \u00e0 New Delhi des quotidiens \u00e9conomiques La Tribune (pendant deux ans) et Les Echos (pendant cinq ans), couvrant des sujets comme l\u2019\u00e9conomie, le business, la strat\u00e9gie des entreprises fran\u00e7aises en Inde, la vie politique et diplomatique, etc. Il a \u00e9galement r\u00e9alis\u00e9 de nombreux reportages en Inde et dans les pays voisins comme le Bangladesh, le Sri Lanka ou le Bhoutan pour ces deux quotidiens ainsi que pour le trimestriel Chine Plus. Pour Asialyst, il \u00e9crit sur l\u2019Inde et sa r\u00e9gion, et tient une chronique \u200b\u200b\"L'Asie dessin\u00e9e\" consacr\u00e9e aux bandes dessin\u00e9es parlant de l\u2019Asie.","url":"https:\/\/asialyst.com\/fr\/auteur\/patrick-de-jacquelot\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/39259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/216"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=39259"}],"version-history":[{"count":9,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/39259\/revisions"}],"predecessor-version":[{"id":39273,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/39259\/revisions\/39273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/39269"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=39259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=39259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=39259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}