<\/p>\n
Love Like Jazz<\/em>, <\/p>\nLinogravures de Chen Hua-Chun (\u9673\u83ef\u4fca)\nGraveur taiwanais invit\u00e9 \u00e0 l\u2019Atelier des Cascades, du 18 au 3 juillet 2016.<\/p>\nExposition ouverte tous les jours de 15h \u00e0 20h.<\/p>\nContact : Association pour l\u2019Estampe et l\u2019Art Populaire, 49bis rue des Cascades, 75020 Paris.\nM\u00b0 Jourdain\nT\u00e9l\u00e9phone : 01 47 97 05 35\nSite web : estampe-artpopulaire.com<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTaiwan est soumis, comme bon nombre de pays d\u2019Asie, au r\u00e8gne du ke-a\u00ef<\/em> (\u53ef\u611b en chinois, kawa\u00ef<\/em> en japonais). \nLe ke-a\u00ef<\/em>, qu\u2019est-ce ? C\u2019est l\u2019\u00e9quivalent du kitsch<\/em>. Tout ce qui \u00e9vacue le bu shu fu<\/em> (\u4e0d\u8212\u670d)\uff0cc\u2019est-\u00e0-dire ce qui d\u00e9range et ce qui met mal-\u00e0-l\u2019aise. <\/p>\nLa d\u00e9finition du kitsch<\/em> de Milan Kundera vaut largement pour le ke-a\u00ef<\/em>. C\u2019est Hello Kitty et Cie ; autrement dit, le principe esth\u00e9tico-commercial qui exploite les bons sentiments pour accro\u00eetre les ventes, Bisounours et petits c\u0153urs, du d\u00e9sir d\u00e9pourvu de libido, de l\u2019\u00e9rotisme asexu\u00e9… La formule du ke-a\u00ef<\/em>, bien connue, est justement au c\u0153ur des \u0153uvres de Chen Hua-Chun (\u9673\u83ef\u4fca), un graveur ta\u00efwanais invit\u00e9 \u00e0 exposer dans la galerie de l\u2019Atelier de la rue des Cascades (dirig\u00e9 par Raul Velasco et Kristin Meller). <\/p>\nLe ke-a\u00ef<\/em>, c\u2019est le dindon de la farce et Hua-Chun lui tort le cou. <\/p>\nM\u00eame s\u2019il est question d\u2019amour, l\u2019univers de Hua-Chun n\u2019est pas rose. Le N&B domine ses gravures et s\u2019il y a un petit cochon, il est plut\u00f4t SM. Son exposition \u00ab\u00a0Love Like Jazz\u00a0\u00bb pr\u00e9sente une s\u00e9rie de linogravures qui d\u00e9clinent en effet une m\u00eame obsession. Au centre, repr\u00e9sent\u00e9 dans un coffret cadeau (qui rappelle peut-\u00eatre l\u2019art japonais de l\u2019emballage du Furoshiki<\/em>) et accompagn\u00e9 d\u2019accessoires bondage (technique du Hojojutsu<\/em>), on reconna\u00eet un c\u0153ur parfait. <\/p>\nIl va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"The Case Of Love\" (\u611b\u7684\u767e\u5bf6\u7bb1), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tL\u2019art de Hua-Chun est explicite. Cela ne veut pas dire qu\u2019il est vulgaire. Il n\u2019est tout simplement pas allusif. \nEn cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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de gauche \u00e0 droite : Jean-Paul Pinzuti, Chen Hua Chun, Lai Po Wen, Anju Chaudhuri et Kristin Meller. 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Linogravures de Chen Hua-Chun (\u9673\u83ef\u4fca)\nGraveur taiwanais invit\u00e9 \u00e0 l\u2019Atelier des Cascades, du 18 au 3 juillet 2016.<\/p>\n
Exposition ouverte tous les jours de 15h \u00e0 20h.<\/p>\n
Contact : Association pour l\u2019Estampe et l\u2019Art Populaire, 49bis rue des Cascades, 75020 Paris.\nM\u00b0 Jourdain\nT\u00e9l\u00e9phone : 01 47 97 05 35\nSite web : estampe-artpopulaire.com<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n
Le ke-a\u00ef<\/em>, qu\u2019est-ce ? C\u2019est l\u2019\u00e9quivalent du kitsch<\/em>. Tout ce qui \u00e9vacue le bu shu fu<\/em> (\u4e0d\u8212\u670d)\uff0cc\u2019est-\u00e0-dire ce qui d\u00e9range et ce qui met mal-\u00e0-l\u2019aise. <\/p>\nLa d\u00e9finition du kitsch<\/em> de Milan Kundera vaut largement pour le ke-a\u00ef<\/em>. C\u2019est Hello Kitty et Cie ; autrement dit, le principe esth\u00e9tico-commercial qui exploite les bons sentiments pour accro\u00eetre les ventes, Bisounours et petits c\u0153urs, du d\u00e9sir d\u00e9pourvu de libido, de l\u2019\u00e9rotisme asexu\u00e9… La formule du ke-a\u00ef<\/em>, bien connue, est justement au c\u0153ur des \u0153uvres de Chen Hua-Chun (\u9673\u83ef\u4fca), un graveur ta\u00efwanais invit\u00e9 \u00e0 exposer dans la galerie de l\u2019Atelier de la rue des Cascades (dirig\u00e9 par Raul Velasco et Kristin Meller). <\/p>\nLe ke-a\u00ef<\/em>, c\u2019est le dindon de la farce et Hua-Chun lui tort le cou. <\/p>\nM\u00eame s\u2019il est question d\u2019amour, l\u2019univers de Hua-Chun n\u2019est pas rose. Le N&B domine ses gravures et s\u2019il y a un petit cochon, il est plut\u00f4t SM. Son exposition \u00ab\u00a0Love Like Jazz\u00a0\u00bb pr\u00e9sente une s\u00e9rie de linogravures qui d\u00e9clinent en effet une m\u00eame obsession. Au centre, repr\u00e9sent\u00e9 dans un coffret cadeau (qui rappelle peut-\u00eatre l\u2019art japonais de l\u2019emballage du Furoshiki<\/em>) et accompagn\u00e9 d\u2019accessoires bondage (technique du Hojojutsu<\/em>), on reconna\u00eet un c\u0153ur parfait. <\/p>\nIl va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"The Case Of Love\" (\u611b\u7684\u767e\u5bf6\u7bb1), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tL\u2019art de Hua-Chun est explicite. Cela ne veut pas dire qu\u2019il est vulgaire. Il n\u2019est tout simplement pas allusif. \nEn cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \\\"un trait d\u2019esprit, deux traits de pinceaux\\\". Cette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\",\"url\":\"https:\\\/\\\/asialyst.com\\\/fr\\\/auteur\\\/ivan-gros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst","description":"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l'occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/","og_locale":"fr_FR","og_type":"article","og_title":"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst","og_description":"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l'occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef.","og_url":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/","og_site_name":"Asialyst","article_publisher":"https:\/\/www.facebook.com\/Asialyst.fr","article_published_time":"2016-06-24T07:12:03+00:00","article_modified_time":"2016-06-24T07:23:21+00:00","og_image":[{"width":1024,"height":578,"url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/TAIWAN-CHEN-VERNISSAGE.jpg","type":"image\/jpeg"}],"author":"Ivan Gros","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Ivan Gros","Dur\u00e9e de lecture estim\u00e9e":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#article","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/"},"author":{"name":"Ivan Gros","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/11e2b98d9bb7face25f5825159aa881d"},"headline":"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun","datePublished":"2016-06-24T07:12:03+00:00","dateModified":"2016-06-24T07:23:21+00:00","mainEntityOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/"},"wordCount":1346,"commentCount":1,"publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/TAIWAN-CHEN-VERNISSAGE.jpg","keywords":["art","Asie du Nord-Est","Regards","Taiwan"],"articleSection":["Culture"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/","url":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/","name":"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst","isPartOf":{"@id":"https:\/\/asialyst.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#primaryimage"},"image":{"@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#primaryimage"},"thumbnailUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/TAIWAN-CHEN-VERNISSAGE.jpg","datePublished":"2016-06-24T07:12:03+00:00","dateModified":"2016-06-24T07:23:21+00:00","description":"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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La d\u00e9finition du kitsch<\/em> de Milan Kundera vaut largement pour le ke-a\u00ef<\/em>. C\u2019est Hello Kitty et Cie ; autrement dit, le principe esth\u00e9tico-commercial qui exploite les bons sentiments pour accro\u00eetre les ventes, Bisounours et petits c\u0153urs, du d\u00e9sir d\u00e9pourvu de libido, de l\u2019\u00e9rotisme asexu\u00e9… La formule du ke-a\u00ef<\/em>, bien connue, est justement au c\u0153ur des \u0153uvres de Chen Hua-Chun (\u9673\u83ef\u4fca), un graveur ta\u00efwanais invit\u00e9 \u00e0 exposer dans la galerie de l\u2019Atelier de la rue des Cascades (dirig\u00e9 par Raul Velasco et Kristin Meller). <\/p>\nLe ke-a\u00ef<\/em>, c\u2019est le dindon de la farce et Hua-Chun lui tort le cou. <\/p>\nM\u00eame s\u2019il est question d\u2019amour, l\u2019univers de Hua-Chun n\u2019est pas rose. Le N&B domine ses gravures et s\u2019il y a un petit cochon, il est plut\u00f4t SM. Son exposition \u00ab\u00a0Love Like Jazz\u00a0\u00bb pr\u00e9sente une s\u00e9rie de linogravures qui d\u00e9clinent en effet une m\u00eame obsession. Au centre, repr\u00e9sent\u00e9 dans un coffret cadeau (qui rappelle peut-\u00eatre l\u2019art japonais de l\u2019emballage du Furoshiki<\/em>) et accompagn\u00e9 d\u2019accessoires bondage (technique du Hojojutsu<\/em>), on reconna\u00eet un c\u0153ur parfait. <\/p>\nIl va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"The Case Of Love\" (\u611b\u7684\u767e\u5bf6\u7bb1), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tL\u2019art de Hua-Chun est explicite. Cela ne veut pas dire qu\u2019il est vulgaire. Il n\u2019est tout simplement pas allusif. \nEn cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\". 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Le ke-a\u00ef<\/em>, c\u2019est le dindon de la farce et Hua-Chun lui tort le cou. <\/p>\nM\u00eame s\u2019il est question d\u2019amour, l\u2019univers de Hua-Chun n\u2019est pas rose. Le N&B domine ses gravures et s\u2019il y a un petit cochon, il est plut\u00f4t SM. Son exposition \u00ab\u00a0Love Like Jazz\u00a0\u00bb pr\u00e9sente une s\u00e9rie de linogravures qui d\u00e9clinent en effet une m\u00eame obsession. Au centre, repr\u00e9sent\u00e9 dans un coffret cadeau (qui rappelle peut-\u00eatre l\u2019art japonais de l\u2019emballage du Furoshiki<\/em>) et accompagn\u00e9 d\u2019accessoires bondage (technique du Hojojutsu<\/em>), on reconna\u00eet un c\u0153ur parfait. <\/p>\nIl va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"The Case Of Love\" (\u611b\u7684\u767e\u5bf6\u7bb1), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tL\u2019art de Hua-Chun est explicite. Cela ne veut pas dire qu\u2019il est vulgaire. Il n\u2019est tout simplement pas allusif. \nEn cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Cette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier","url":"https:\/\/asialyst.com\/fr\/auteur\/ivan-gros\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=16093"}],"version-history":[{"count":4,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093\/revisions"}],"predecessor-version":[{"id":16101,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093\/revisions\/16101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/16095"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=16093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=16093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=16093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
M\u00eame s\u2019il est question d\u2019amour, l\u2019univers de Hua-Chun n\u2019est pas rose. Le N&B domine ses gravures et s\u2019il y a un petit cochon, il est plut\u00f4t SM. Son exposition \u00ab\u00a0Love Like Jazz\u00a0\u00bb pr\u00e9sente une s\u00e9rie de linogravures qui d\u00e9clinent en effet une m\u00eame obsession. Au centre, repr\u00e9sent\u00e9 dans un coffret cadeau (qui rappelle peut-\u00eatre l\u2019art japonais de l\u2019emballage du Furoshiki<\/em>) et accompagn\u00e9 d\u2019accessoires bondage (technique du Hojojutsu<\/em>), on reconna\u00eet un c\u0153ur parfait. <\/p>\nIl va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"The Case Of Love\" (\u611b\u7684\u767e\u5bf6\u7bb1), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tL\u2019art de Hua-Chun est explicite. Cela ne veut pas dire qu\u2019il est vulgaire. Il n\u2019est tout simplement pas allusif. \nEn cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Il va lui en arriver de belles, au joli c\u0153ur !\t<\/p><\/div>\n<\/div>\n\n
En cela, il d\u00e9passe l\u2019alternative de la tradition chinoise qui oscille entre m\u00e9taphore et gyn\u00e9cologie. Soit la d\u00e9cence oblige \u00e0 \u00e9voquer les choses de l\u2019amour par la bande, la m\u00e9taphore se charge alors de jeter un voile pudique sur la crudit\u00e9, comme dans les Chroniques de l\u2019\u00e9trange<\/em> (\u804a\u9f4b\u5fd7\u7570) de Pu Songling (\u84b2\u677e\u9886). Soit la n\u00e9cessit\u00e9 \u00e9ducative propose \u00e0 l\u2019intention des jeunes femmes qui viennent de se marier des manuels didactiques agr\u00e9ment\u00e9s d\u2019images avec force d\u00e9tails anatomiques comme dans les chun gong tu<\/em> (\u6625\u5bae\u5716). <\/p>\nContrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Contrairement \u00e0 cette double tendance, Hua-Chun exprime le d\u00e9sir de mani\u00e8re esth\u00e9tique mais non-allusive. La bandaison a beau \u00eatre explicite et exub\u00e9rante, elle cultive l\u2019\u00e9quivoque. Un coraz\u00f3n<\/em> cintr\u00e9 dans un string, saucissonn\u00e9 de barbel\u00e9s, alt\u00e9r\u00e9 par une ceinture clout\u00e9e, figure une silhouette androgyne. Monsieur Phallus se contorsionne pour embrasser Miss Pubis. <\/p>\nL\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Love like jazz, kiss my ass\", linogravure, 98\u00d770\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tCertes, il est question de sexes turgescents, mais quelle puissance d\u2019\u00e9vocation ! Les gravures de Hua-Chun sont grav\u00e9es avec toutes les nuances de plaisir et de cruaut\u00e9 propre \u00e0 la po\u00e9sie du d\u00e9sir. Il ne faut pas n\u00e9cessairement y voir du cynisme. Perversion sans doute mais perversion heureuse.\t<\/div>\n<\/div>\n\n\n\t\n\t\t\n\t\n\t\t<\/a>\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t \t\"Crowded love\" (\u611b, \u64c1\u64e0), linogravure, 70\u00d748\u339d, 2014. (Cr\u00e9dit : D.R.).\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\tLe propos n\u2019est pas si \u00e9vident et le risque de malentendu est s\u00e9rieux. Un coup d\u2019\u0153il circulaire et superficiel ne manquera pas de s\u2019arr\u00eater sur ce pr\u00e9puce singuli\u00e8rement c\u00e9r\u00e9br\u00e9. On rapprochera certainement, avec un sentiment de d\u00e9sagr\u00e9able d\u00e9j\u00e0-vu, les gravures de Hua-Chun de cette c\u00e9l\u00e8bre caricature de Freud intitul\u00e9e \u00ab\u00a0What\u2019s in the man mind\u00a0\u00bb qui tr\u00f4ne fr\u00e9quemment sur les pr\u00e9sentoirs des bouquinistes et on aura l\u2019impression d\u2019avoir tout compris. \nCritique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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(Cr\u00e9dit : D.R.)."},{"@type":"BreadcrumbList","@id":"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/asialyst.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun"}]},{"@type":"WebSite","@id":"https:\/\/asialyst.com\/fr\/#website","url":"https:\/\/asialyst.com\/fr\/","name":"Asialyst","description":"Votre m\u00e9dia sur l Asie","publisher":{"@id":"https:\/\/asialyst.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/asialyst.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/asialyst.com\/fr\/#organization","name":"Asialyst","url":"https:\/\/asialyst.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/04\/logo_blanc.png","width":657,"height":165,"caption":"Asialyst"},"image":{"@id":"https:\/\/asialyst.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/Asialyst.fr"]},{"@type":"Person","@id":"https:\/\/asialyst.com\/fr\/#\/schema\/person\/11e2b98d9bb7face25f5825159aa881d","name":"Ivan Gros","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/8675e31120c19204d6b139f5d1b5d6db-150x150.png","url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/8675e31120c19204d6b139f5d1b5d6db-150x150.png","contentUrl":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/10\/8675e31120c19204d6b139f5d1b5d6db-150x150.png","caption":"Ivan Gros"},"description":"Chercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). 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Cette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier","url":"https:\/\/asialyst.com\/fr\/auteur\/ivan-gros\/"}]}},"_links":{"self":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/comments?post=16093"}],"version-history":[{"count":4,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093\/revisions"}],"predecessor-version":[{"id":16101,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/posts\/16093\/revisions\/16101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media\/16095"}],"wp:attachment":[{"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/media?parent=16093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/categories?post=16093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asialyst.com\/fr\/wp-json\/wp\/v2\/tags?post=16093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
L\u2019interpr\u00e9tation est ouverte ; le sens reste \u00e0 p\u00e9n\u00e9trer.\t<\/p><\/div>\n<\/div>\n\n
Critique convenue du pansexualisme de la th\u00e9orie freudienne, r\u00e9duite \u00e0 la formule \u00ab\u00a0l\u2019homme pense avec son sexe et toute action humaine est le produit de cette pens\u00e9e\u00a0\u00bb<\/em>. Cette d\u00e9couverte a fait long feu et ce n\u2019est pas le propos de Chen Hua-Chun.<\/p>\nOn peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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On peut toujours venir avec ces concepts et voir dans ses motifs \u00e0 cinq p\u00e9tales la fleur de chanvre rebaptis\u00e9e par Rabelais Pentagruelion<\/em>, ou voir encore dans ces \u00e9vocations florales une influence de Henri Matisse ou mieux reconna\u00eetre une \u00e9ni\u00e8me adaptation du mythe de l\u2019androgyne platonicien\u2026 Kristin Meller (qui dirige avec Raul Velasco l\u2019Atelier de la rue des Cascades) n\u2019a pas tort quand elle proteste contre cette tendance abusive \u00e0 projeter ses propres sch\u00e9mas d\u2019analyse. Il est plus juste de dire que Matisse a \u00e9t\u00e9 influenc\u00e9 par l\u2019estampe japonaise que l\u2019inverse. <\/p>\nDe fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\nS\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\nIl reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\nLe critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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De fait, Hua-Chun foule pour la premi\u00e8re fois le sol de l\u2019Europe. C\u2019est son premier voyage en France. Comme beaucoup de Ta\u00efwanais, c\u2019est plut\u00f4t le Japon et la Chine qui dominent ses repr\u00e9sentations. M\u00eame s\u2019il a fait des \u00e9tudes d\u2019art et qu\u2019il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art contemporain occidental \u2013 notamment sous la houlette des graveurs Wu Shi-Zhu (\u5433\u77f3\u67f1) et Liu Xiu-Ping (\u5ed6\u4fee\u5e73) qui sont tous deux pass\u00e9s par le fameux Atelier 17 fond\u00e9 \u00e0 Paris par Hayter \u2013 il a d\u00e9velopp\u00e9 une technique et une expression parfaitement originale. <\/p>\n
S\u2019il y a influence esth\u00e9tique, elle est plus s\u00fbrement japonaise. <\/p>\n
Il reconna\u00eet volontiers sa fascination pour le trait des grands ma\u00eetres du manga comme Miura Kentaro (\u4e09\u6d66\u5efa\u592a\u90ce). Il est vrai qu\u2019une partie du plaisir esth\u00e9tique vient bien s\u00fbr de ce jeu de reconnaissance semi-divinatoire des influences r\u00e9ciproques. <\/p>\n
Le critique se prend au jeu enfantin des ressemblances et des diff\u00e9rences et parfois, il voit juste. Ce qui est s\u00fbr, c\u2019est que l\u2019esth\u00e9tique anti-kea\u00ef<\/em> qui caract\u00e9rise ses gravures, condamne Hua-chun dans son pays \u00e0 l\u2019ostracisme. Il a beau avoir une reconnaissance du milieu (son atelier Firebox<\/em> \u706b\u5408\u5b50 implant\u00e9 \u00e0 Shi-lin<\/em> \u58eb\u6797 tourne depuis 1990) ; il a beau avoir remport\u00e9 des prix (1er prix de l\u2019exposition nationale de 2010, \u5168\u570b\u7248\u756b\u5c55) et obtenu une reconnaissance acad\u00e9mique (notamment de la National Printmaking Association Of Taiwan ROC<\/em> \u4e2d\u83ef\u6c11\u570b\u7248\u756b\u5b78\u6703), ses \u0153uvres exceptionnelles, d\u2019une extraordinaire habilet\u00e9 technique, ne se montrent pas et donc ne se vendent pas. <\/p>\nIl n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n\n\t\n\t\tSoutenez-nous !<\/h3>\n\t\tAsialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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Il n\u2019est pas s\u00fbr qu\u2019il soit mieux compris \u00e0 Paris\u2026 C\u2019est tout l\u2019enjeu de la d\u00e9marche de l\u2019Association pour l\u2019Estampe et l\u2019Art Populaire que de promouvoir, en les exposant, des artistes talentueux mais qui font carri\u00e8re \u00e0 l\u2019ombre des march\u00e9s. <\/p>\n
\u00c0 voir (\u8981\u770b) !\t<\/p><\/div>\n<\/div>\n\n
Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\tFaire un don<\/a>\n\t<\/div>\n<\/div>\n\n\t\n\t\tTags de l'article<\/h5>\n\t\tart<\/a><\/li>Asie du Nord-Est<\/a><\/li>Regards<\/a><\/li>Taiwan<\/a><\/li><\/ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t\r\n\t\t\t\t Share on Facebook<\/a>Share on Twitter<\/a>Share on Linkedin<\/a>Share on Pinterest<\/a>\t \t <\/div>\r\n\t \n\n\t\n\t\tA propos de l'auteur<\/h5>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\tIvan Gros\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\tChercheur en litt\u00e9rature, Ivan Gros enseigne \u00e0 l\u2019Universit\u00e9 Nationale Centrale de Ta\u00efwan (\u4e2d\u592e\u5927\u5b78). Ses recherches portent actuellement sur le journalisme litt\u00e9raire et la m\u00e9taphorologie. Il collabore r\u00e9guli\u00e8rement dans les m\u00e9dias par des articles, des chroniques illustr\u00e9es ou des croquis-reportages. Sa devise\u00a0: \"un trait d\u2019esprit, deux traits de pinceaux\".\r\nCette s\u00e9rie de regards est l'\u00e9manation d\u2019un cours<\/a> de litt\u00e9rature appliqu\u00e9e au journalisme en g\u00e9n\u00e9ral et \u00e0 la radio en particulier\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n\n\t\n\t\t\n\t\t\tOn vous recommande<\/h5>\t\t\t\n\t\t\t\t<\/span>Politique<\/span>Ta\u00efwan : comment atteindre v\u00e9rit\u00e9 et r\u00e9conciliation sur la Terreur Blanche ?<\/h4><\/span><\/a><\/li><\/span>Culture<\/span>Dans les interstices entre le langage et l\u2019infini : Yang Jian \u00e0 White Space Beijing<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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L’artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l’occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef<\/em>.<\/p>\n","protected":false},"author":172,"featured_media":16095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[15,23,194,21],"class_list":["post-16093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-art","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"\nUn graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst<\/title>\n<meta name=\"description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; l'occasion de d\u00e9couvrir cet artiste anti ke-a\u00ef.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/asialyst.com\/fr\/2016\/06\/24\/un-graveur-taiwanais-a-l-atelier-des-cascades-paris-20eme-chen-hua-chun\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un graveur ta\u00efwanais \u00e0 l\u2019atelier des Cascades (Paris, 20\u00e8me) : Chen Hua-Chun - Asialyst\" \/>\n<meta property=\"og:description\" content=\"L'artiste graveur ta\u00efwanais Chen Hua-Chun expose ses jours-ci \u00e0 Paris ; 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