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{"id":14634,"date":"2016-06-01T09:46:25","date_gmt":"2016-06-01T07:46:25","guid":{"rendered":"https:\/\/asialyst.com\/fr\/2016\/06\/01\/brouillon-regard-copy-3\/"},"modified":"2017-07-27T15:40:48","modified_gmt":"2017-07-27T13:40:48","slug":"une-clown-taiwanaise-a-avignon","status":"publish","type":"post","link":"https:\/\/asialyst.com\/fr\/2016\/06\/01\/une-clown-taiwanaise-a-avignon\/","title":{"rendered":"Une clown ta\u00efwanaise \u00e0 Avignon"},"content":{"rendered":"<div class=\"container\">\n\t<meta itemprop=\"keywords\" content=\"Soci\u00e9t\u00e9\" \/>\n\t<a href=\"https:\/\/asialyst.com\/fr\/societe\/\" class=\"category category-2\">Soci\u00e9t\u00e9<\/a><br \/>\n\t<time datetime=\"2016-06-01T09:46:25Z\" itemprop=\"datePublished\">\n\t\tPubli\u00e9 01 Juin 2016<br \/>\n\t\tMis \u00e0 jour 27 Juillet 2017\t<\/time>\n\t<meta itemprop=\"dateModified\" content=\"2017-07-27T15:40:48Z\" \/>\n<\/div>\n<div class=\"container\">\n<div class=\"surtitre\" itemprop=\"headline\">T\u00e9moin - Siau-Lian-Lang, \u00eatre jeune \u00e0 Ta\u00efwan<\/div><\/div>\n<p>&nbsp;<\/p>\n<div class=\"container\">\n\t<h1 itemprop=\"name\">Une clown ta\u00efwanaise \u00e0 Avignon<\/h1>\n<\/div>\n<div class=\"container\">\n  <div class=\"authors\">\n    <ul>\n    \t        <li class=\"author\" itemprop=\"author\" itemscope itemtype=\"http:\/\/schema.org\/Person\">\n          <a href=\"https:\/\/asialyst.com\/fr\/auteur\/pierre-yves-baubry\/\" class=\"category-color\" itemprop=\"url\">\n            <span itemprop=\"name\" class=\"name\">\n              Pierre-Yves Baubry            <\/span>\n            <img data-del=\"avatar\" alt=\"Pierre-Yves Baubry\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/05\/PierreYves-Baubry-150x150.jpg' class='avatar pp-user-avatar avatar-150 photo ' height='150' width='150'\/>          <\/a>\n        <\/li>\n    \t    <\/ul>\n  <\/div>\n<\/div>\n<div class=\"container\">\n  <div class=\"photo-une\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n    <figure>\n      <a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"article-image\" title=\"La com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce \"Mamma Luna\", participera au festival Off d'Avignon en juillet 2016. (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)\"><img loading=\"lazy\" decoding=\"async\" width=\"1100\" height=\"735\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"img-responsive\" alt=\"La com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce &quot;Mamma Luna&quot;\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg 1100w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-768x513.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-1024x684.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-900x600.jpg 900w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/a>\n      <meta itemprop=\"height\" content=\"1100\"\/>\n      <meta itemprop=\"width\" content=\"735\"\/>\n      <meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2016\/06\/01\/une-clown-taiwanaise-a-avignon\/\"\/>\n      <figcaption class=\"legend\" itemprop=\"description\">\n      \t<div class=\"container\">\n        \tLa com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce \"Mamma Luna\", participera au festival Off d'Avignon en juillet 2016. (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)        <\/div>\n      <\/figcaption>\n    <\/figure>\n  <\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"chapo\" itemprop=\"description\">\n\t\tUne grand-m\u00e8re alit\u00e9e, une lune g\u00e9ante qui s\u2019approche dangereusement de la Terre et perturbe l\u2019espace et le temps, un clown \u00e9trange et fac\u00e9tieux\u2026 Avec <em>Mamma Luna,<\/em> la jeune com\u00e9dienne ta\u00efwanaise Huang Kai-lin (\u9ec3\u51f1\u81e8) livre un spectacle tout en po\u00e9sie sur le th\u00e8me difficile de la vieillesse et de la mort. Avant sa participation au festival Off d\u2019Avignon en juillet prochain, elle revient sur le parcours qui l\u2019a men\u00e9e \u00e0 enseigner \u00e0 Ta\u00efwan. Une m\u00e9thode apprise en France et mettant au centre le corps de l\u2019acteur.\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Comment est n\u00e9 <em>Mamma Luna<\/em>, le spectacle cr\u00e9\u00e9 l\u2019an dernier \u00e0 Taipei et que vous jouerez en juillet \u00e0 La Condition des soies, \u00e0 Avignon, dans le cadre du festival Off ?<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Huang Kai-lin :<\/strong> J\u2019avais envie depuis tr\u00e8s longtemps de faire ce spectacle. Il s\u2019agit au d\u00e9part d\u2019une \u00ab\u00a0commande\u00a0\u00bb pour une cr\u00e9ation de fin d\u2019\u00e9tudes \u00e0 l\u2019Ecole internationale de th\u00e9\u00e2tre Jacques Lecoq, \u00e0 Paris, o\u00f9 j\u2019ai \u00e9tudi\u00e9 de 2006 \u00e0 2008, puis en 2010-2011 pour une troisi\u00e8me ann\u00e9e p\u00e9dagogique. Le th\u00e8me impos\u00e9, \u00ab\u00a0On recommence tout\u00a0\u00bb, m\u2019a tout de suite rappel\u00e9 ma grand-m\u00e8re. Il s\u2019agissait alors d\u2019une cr\u00e9ation courte, de 7 \u00e0 8 minutes\u2026\n<p>C\u2019est l\u2019histoire d\u2019un souvenir : \u00e0 l\u2019\u00e2ge de 13 ou 14 ans, tous les jours, je faisais la toilette de ma grand-m\u00e8re, diab\u00e9tique et amput\u00e9e des deux jambes, qui logeait avec mes parents et moi. Pour jouer cette sc\u00e8ne de la toilette, j\u2019ai pris l\u2019aspect d\u2019un clown. Le clown est na\u00eff, curieux, b\u00eate comme un enfant. On rit car quelque chose de tr\u00e8s humain nous relie au clown. Il apportait une l\u00e9g\u00e8ret\u00e9 \u00e0 cette sc\u00e8ne et c\u2019\u00e9tait pour moi une fa\u00e7on de me soulager de ce souvenir o\u00f9 coexistaient de la tristesse et de la peur \u2014 peur aussi d\u2019\u00eatre comme cela quand je serai vieille. Cette sc\u00e8ne de la toilette ne figure pas dans le spectacle <em>Mamma Luna<\/em> cr\u00e9\u00e9 en juin 2015 \u00e0 Taipei mais elle en a \u00e9t\u00e9 le point de d\u00e9part\u2026 et le sentiment est le m\u00eame.\t<\/p><\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<div class=\"photo-text\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n\t<figure>\n\t\t<a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"article-image\" title=\"Extrait de la pi\u00e8ce \"Mamma Luna\" de la com\u00e9dienne ta\u00efwanaise Huang Kai-lin. (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)\"><img loading=\"lazy\" decoding=\"async\" width=\"1168\" height=\"779\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"img-responsive\" alt=\"Extrait de la pi\u00e8ce &quot;Mamma Luna&quot; de la com\u00e9dienne ta\u00efwanaise Huang Kai-lin.\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg 1168w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-768x512.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-1024x683.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/02-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-900x600.jpg 900w\" sizes=\"auto, (max-width: 1168px) 100vw, 1168px\" \/><\/a>\n\t\t<meta itemprop=\"height\" content=\"1168\"\/>\n\t\t<meta itemprop=\"width\" content=\"779\"\/>\n\t\t<meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2016\/06\/01\/une-clown-taiwanaise-a-avignon\/\"\/>\n\t\t<figcaption class=\"legend\" itemprop=\"description\">\n\t\t  \tExtrait de la pi\u00e8ce \"Mamma Luna\" de la com\u00e9dienne ta\u00efwanaise Huang Kai-lin. (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Le passage \u00e0 l\u2019Ecole internationale de th\u00e9\u00e2tre Jacques Lecoq a donc \u00e9t\u00e9 d\u00e9cisif dans votre parcours\u2026<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLa \u00ab\u00a0m\u00e9thode Lecoq\u00a0\u00bb m\u2019a beaucoup touch\u00e9e et influenc\u00e9e. J\u2019ai eu envie de l\u2019enseigner \u00e0 Ta\u00efwan et d\u2019y faire des cr\u00e9ations. Avant d\u2019aller en France, j\u2019\u00e9tais plut\u00f4t une com\u00e9dienne de textes. A l\u2019Ecole Jacques Lecoq, j\u2019ai \u00e9t\u00e9 confront\u00e9e \u00e0 l\u2019utilisation du masque neutre, un masque entier en cuir qui cache le visage du com\u00e9dien, lequel ne peut pas parler mais peut seulement s\u2019exprimer par le corps. Cette exp\u00e9rience m\u2019a vraiment choqu\u00e9e. J\u2019avais l\u2019habitude d\u2019\u00eatre sur sc\u00e8ne et de parler\u2026 et j\u2019ai d\u00e9couvert que je pouvais parler avec mon corps.\n<p>Les textes p\u00e8sent sur l\u2019acteur qui doit puiser en lui les \u00e9motions pour jouer la psychologie d\u2019un personnage. La \u00ab\u00a0m\u00e9thode Lecoq\u00a0\u00bb permet elle aussi d\u2019exprimer des \u00e9motions mais \u00e0 travers les \u00e9l\u00e9ments de la nature. Il s\u2019agit d\u2019\u00eatre \u00ab\u00a0en col\u00e8re comme l\u2019orage\u00a0\u00bb ou \u00ab\u00a0s\u00fbre comme la terre\u00a0\u00bb. On apprend \u00e0 se conna\u00eetre par l\u2019interm\u00e9diaire de la nature. Ce n\u2019est pas seulement une m\u00e9thode de jeu mais aussi une sorte de philosophie. Et en plus, on d\u00e9veloppe les possibilit\u00e9s d\u2019expression du corps. Or, dans la vie, on r\u00e9agit toujours avec notre corps.\t<\/p><\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Le th\u00e9\u00e2tre asiatique ne met-il justement pas lui aussi l\u2019accent sur le corps ?<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tLe th\u00e9\u00e2tre traditionnel asiatique utilise beaucoup le corps. Il y a une relation tr\u00e8s forte avec le sol, avec la terre, et qui est tr\u00e8s diff\u00e9rente de l\u2019Occident. Cela dit, \u00e0 l\u2019Universit\u00e9 nationale des arts de Taipei o\u00f9 j\u2019ai \u00e9tudi\u00e9, on enseigne certes l\u2019op\u00e9ra de P\u00e9kin, la danse, le mouvement, mais l\u2019accent est mis sur le texte et en particulier sur l\u2019analyse des textes classiques occidentaux, ce qui est tr\u00e8s bien d\u2019ailleurs. Etre \u00e0 l\u2019Ecole Jacques Lecoq m\u2019a ouvert une autre vision et m\u2019a fait r\u00e9fl\u00e9chir \u00e0 ce que j\u2019avais appris avant. J\u2019avais beaucoup de frustrations \u00e0 l\u2019universit\u00e9 car je cherchais encore ma direction. J\u2019ai m\u00eame eu envie d\u2019arr\u00eater. Et puis le syst\u00e8me d\u2019auditions \u00e0 l\u2019universit\u00e9 fait qu\u2019on se pose beaucoup de questions et qu\u2019on est toujours choisi pour les m\u00eames r\u00f4les. Chez Jacques Lecoq, on pratique au contraire le syst\u00e8me des \u00ab\u00a0auto-cours\u00a0\u00bb. On est acteur-cr\u00e9ateur.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Apr\u00e8s cette exp\u00e9rience formatrice en France, vous avez fait le choix de rentrer \u00e0 Ta\u00efwan. Comment une jeune com\u00e9dienne en vient-elle \u00e0 cr\u00e9er sa propre compagnie ?<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tEn rentrant \u00e0 Ta\u00efwan, j\u2019ai essay\u00e9 de comprendre comment fonctionne ici le monde du th\u00e9\u00e2tre. J\u2019ai compris que si l\u2019on veut obtenir une subvention du minist\u00e8re de la Culture ou d\u2019une collectivit\u00e9 locale, il faut cr\u00e9er sa compagnie. C\u2019est pour cela qu\u2019\u00e0 Ta\u00efwan il y a un grand nombre de petites compagnies de th\u00e9\u00e2tre. La plupart ne gagnent pas d\u2019argent avec une cr\u00e9ation. C\u2019est d\u00e9j\u00e0 bien d\u2019arriver \u00e0 \u00e9quilibrer un budget et \u00e0 payer correctement les gens qui travaillent avec vous. On pourrait imaginer un regroupement des forces mais c\u2019est tr\u00e8s d\u00e9licat de travailler ensemble, chacun a son univers.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Difficile donc de gagner sa vie en jouant au th\u00e9\u00e2tre\u2026<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tMes revenus ne proviennent pas de mon travail de com\u00e9dienne mais des cours que je donne.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<div class=\"photo-text\" itemprop=\"image\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\">\n\t<figure>\n\t\t<a href=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"article-image\" title=\"La com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce \"Mamma Luna\". (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)\"><img loading=\"lazy\" decoding=\"async\" width=\"1168\" height=\"779\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg\" class=\"img-responsive\" alt=\"La com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce &quot;Mamma Luna&quot;.\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN.jpg 1168w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-768x512.jpg 768w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-1024x683.jpg 1024w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/06\/03-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-900x600.jpg 900w\" sizes=\"auto, (max-width: 1168px) 100vw, 1168px\" \/><\/a>\n\t\t<meta itemprop=\"height\" content=\"1168\"\/>\n\t\t<meta itemprop=\"width\" content=\"779\"\/>\n\t\t<meta itemprop=\"contentUrl\" content=\"https:\/\/asialyst.com\/fr\/2016\/06\/01\/une-clown-taiwanaise-a-avignon\/\"\/>\n\t\t<figcaption class=\"legend\" itemprop=\"description\">\n\t\t  \tLa com\u00e9dienne ta\u00efwanaise Huang Kai-lin, clown triste dans sa pi\u00e8ce \"Mamma Luna\". (Cr\u00e9dit : Th\u00e9\u00e2tre des Enfants terribles)\t\t<\/figcaption>\n\t<\/figure>\n<\/div>\n\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Comment le public ta\u00efwanais r\u00e9agit-il \u00e0 l\u2019utilisation du masque, du mime et du clown ?<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tJe ne suis pas la premi\u00e8re Ta\u00efwanaise \u00e0 \u00eatre pass\u00e9e par l\u2019Ecole Jacques Lecoq. Ma Chao-chi [\u99ac\u7167\u742a] a \u00e9t\u00e9 une pionni\u00e8re, en cr\u00e9ant \u00e0 son retour \u00e0 Ta\u00efwan le Th\u00e9\u00e2tre de la Sardine et en montrant le masque, le mime et le clown. Je ne suis pas la premi\u00e8re, donc l\u2019important n\u2019est pas pour moi de pr\u00e9senter ce genre de th\u00e9\u00e2tre mais de d\u00e9finir ce que j\u2019ai envie de dire, de partager une histoire.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Inversement, le public d\u2019Avignon doit-il s\u2019attendre \u00e0 \u00ab\u00a0du mime et du clown ta\u00efwanais\u00a0\u00bb ?<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\tJe suis une Ta\u00efwanaise ayant v\u00e9cu en France. Au d\u00e9but, et m\u00eame encore maintenant, j\u2019ai eu peur que cette cr\u00e9ation ne soit pas assez \u00ab\u00a0exotique\u00a0\u00bb pour Avignon. Mais si je raisonne en termes d\u2019 \u00ab\u00a0identit\u00e9 ta\u00efwanaise\u00a0\u00bb, je vais m\u2019\u00e9garer. Je vais donc faire les choses tr\u00e8s sinc\u00e8rement et j\u2019esp\u00e8re que le public pourra ressentir cette sinc\u00e9rit\u00e9 et \u00eatre touch\u00e9. Je crois qu\u2019il y a des choses proprement humaines qui d\u00e9passent les barri\u00e8res culturelles.\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" itemprop=\"articleBody\">\n\t\t<strong>Propos recueillis par Pierre-Yves Baubry<\/strong>\t<\/div>\n<\/div>\n\n<div class=\"container\">\n\t<div class=\"text\" style=\"background:#d9463d; padding:20px 20px 30px 20px; text-align:center; border-radius:8px;\">\n\t\t<h3 style=\"color:#fff; font-weight:700;\">Soutenez-nous !<\/h3>\n\t\t<p style=\"color:#fff; font-size:0.8em; line-height:1.5em; margin-bottom:30px;\">Asialyst est con\u00e7u par une \u00e9quipe compos\u00e9e \u00e0 100 % de b\u00e9n\u00e9voles et gr\u00e2ce \u00e0 un r\u00e9seau de contributeurs en Asie ou ailleurs, journalistes, experts, universitaires, consultants ou anciens diplomates... Notre seul but : partager la connaissance de l'Asie au plus large public.<\/p>\n\t\t<a href=\"https:\/\/www.helloasso.com\/associations\/les-amis-d-asialyst\/formulaires\/1\" target=\"_blank\" style=\"display:inline; background:#fff; padding:10px 25px; font-weight:700; border-radius:4px; color:#000; font-size:0.9em;\">Faire un don<\/a>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"tags\">\n\t\t<h5>Tags de l'article<\/h5>\n\t\t<ul><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/asie-du-nord-est\/\" rel=\"tag\">Asie du Nord-Est<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/regards\/\" rel=\"tag\">Regards<\/a><\/li><li><a href=\"https:\/\/asialyst.com\/fr\/tag\/taiwan\/\" rel=\"tag\">Taiwan<\/a><\/li><\/ul><ul>\t<\/ul><\/div>\n<\/div>\n\n\t\t<div class=\"social-sharing ss-social-sharing\">\r\n\t\t\t\t        <a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-facebook\" href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fasialyst.com%2Ffr%2F2016%2F06%2F01%2Fune-clown-taiwanaise-a-avignon%2F\" target=\"_blank\">Share on Facebook<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-twitter\" href=\"http:\/\/twitter.com\/intent\/tweet\/?text=Une+clown+ta%C3%AFwanaise+%C3%A0+Avignon&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2016%2F06%2F01%2Fune-clown-taiwanaise-a-avignon%2F&via=asialyst\" target=\"_blank\">Share on Twitter<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-linkedin\" href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&url=https%3A%2F%2Fasialyst.com%2Ffr%2F2016%2F06%2F01%2Fune-clown-taiwanaise-a-avignon%2F&title=Une+clown+ta%C3%AFwanaise+%C3%A0+Avignon\" target=\"_blank\">Share on Linkedin<\/a><a onclick=\"return ss_plugin_loadpopup_js(this);\" rel=\"external nofollow\" class=\"ss-button-pinterest\" href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fasialyst.com%2Ffr%2F2016%2F06%2F01%2Fune-clown-taiwanaise-a-avignon%2F&media=https%3A%2F%2Fasialyst.com%2Ffr%2Fwp-content%2Fuploads%2F2016%2F06%2F01-TAIWAN-MAMMA-LUNA-HUANG-KAI-LIN-300x200.jpg&description=Une+clown+ta%C3%AFwanaise+%C3%A0+Avignon\" target=\"_blank\">Share on Pinterest<\/a>\t        \t    <\/div>\r\n\t    \n<div class=\"container\">\n\t<div class=\"auteurs-a-propos\">\n\t\t<h5>A propos de l'auteur<\/h5>\n\t\t\t\t\t<div class=\"author\">\n\t\t\t\t<img data-del=\"avatar\" src='https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2015\/05\/PierreYves-Baubry-150x150.jpg' class='avatar pp-user-avatar avatar-150wp-user-avatar wp-user-avatar-150 photo ' height='150' width='150'\/>\t\t\t\t<div class=\"infos\">\n\t\t\t\t\t<div class=\"name\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"social\" href=\"https:\/\/plus.google.com\/u\/0\/+PierreYvesBAUBRY\/posts\">\n\t\t\t\t\t\t\t\t<i class=\"fa fa-google-plus\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"social\" href=\"pybaubry\">\n\t\t\t\t\t\t\t\t<i class=\"fa fa-twitter\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/asialyst.com\/fr\/auteur\/pierre-yves-baubry\/\">\n\t\t\t\t\t\t\tPierre-Yves Baubry\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div class=\"description\">\n\t\t\t\t\t\tApr\u00e8s avoir travaill\u00e9 en France et en Chine dans le domaine de la communication et des m\u00e9dias, Pierre-Yves Baubry a rejoint en 2008 l\u2019\u00e9quipe de r\u00e9daction des publications en langue fran\u00e7aise du minist\u00e8re ta\u00efwanais des Affaires \u00e9trang\u00e8res, \u00e0 Taipei. En mars 2013, il a cr\u00e9\u00e9 le site internet <a href=\"http:\/\/www.lettresdetaiwan.com\"><i>Lettres de Ta\u00efwan<\/i><\/a>, consacr\u00e9 \u00e0 la pr\u00e9sentation de Ta\u00efwan \u00e0 travers sa litt\u00e9rature.\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<\/div>\n<\/div>\n[asl-front-abonnez-vous]\n<div class=\"block3news\">\n\t<div class=\"container\">\n\t\t<div class=\"recommand\">\n\t\t\t<h5>On vous recommande<\/h5>\t\t\t<ul class=\"row\">\n\t\t\t\t<li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2016\/05\/09\/taiwan-les-jeunes-et-la-lecture-une-passion-fragile-22\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-JEUNE-LECTURE-600x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Jeune ta\u00efwanais en train de lire dans une biblioth\u00e8que\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-JEUNE-LECTURE-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-JEUNE-LECTURE-300x200.jpg 300w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-JEUNE-LECTURE-900x600.jpg 900w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Soci\u00e9t\u00e9<\/span><h4>Ta\u00efwan : les jeunes et la lecture, une passion fragile (2\/2)<\/h4><\/span><\/a><\/li><li class=\"col-md-6 col-sm-12 col-xs-12 news\"><a href=\"https:\/\/asialyst.com\/fr\/2016\/05\/25\/taiwan-tsai-ing-wen-et-la-liturgie-des-deux-rives\/\"><span class=\"photo\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-TSAI-INVESTITURE-HYMNE-600x400.jpg\" class=\"img-responsive wp-post-image\" alt=\"Tsai Ing-wen, premi\u00e8re femme pr\u00e9sidente de Ta\u00efwan, lors de son discours d&#039;investiture au palais pr\u00e9sidentiel \u00e0 Taipei, le 20 mai 2016.\" srcset=\"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-TSAI-INVESTITURE-HYMNE-600x400.jpg 600w, https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2016\/05\/TAIWAN-TSAI-INVESTITURE-HYMNE-300x200.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><span class=\"info\"><span class=\"metadata category category-\">Politique<\/span><h4>Ta\u00efwan : Tsai Ing-wen et la liturgie des deux rives<\/h4><\/span><\/a><\/li>\t\t\t<\/ul>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<div class=\"container\">\n\t<div class=\"comments\">\n\t\t\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La com\u00e9dienne ta\u00efwanaise Huang Kai-lin livre un spectacle po\u00e9tique sur la vieillesse et la mort. Entretien \u00e0 un mois du Off d&rsquo;Avignon.<\/p>\n","protected":false},"author":24,"featured_media":14636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[23,194,21],"class_list":["post-14634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-societe","tag-asie-du-nord-est","tag-regards","tag-taiwan"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Une clown ta\u00efwanaise \u00e0 Avignon - Asialyst<\/title>\n<meta name=\"description\" content=\"La com\u00e9dienne ta\u00efwanaise Huang Kai-lin livre un spectacle po\u00e9tique sur la vieillesse et la mort. 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