{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Tamara Lui","author_url":"https:\/\/asialyst.com\/fr\/auteur\/tamaralui\/","title":"Cambodge, l\u2019art devant l\u2019extr\u00eame : quand l\u2019art affronte le g\u00e9nocide","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fmRK7UItpi\"><a href=\"https:\/\/asialyst.com\/fr\/2026\/05\/10\/cambodge-art-devant-extreme-quand-art-affronte-genocide\/\">Cambodge, quand l\u2019art affronte le g\u00e9nocide<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2026\/05\/10\/cambodge-art-devant-extreme-quand-art-affronte-genocide\/embed\/#?secret=fmRK7UItpi\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Cambodge, quand l\u2019art affronte le g\u00e9nocide\u00a0\u00bb &#8212; Asialyst\" data-secret=\"fmRK7UItpi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/asialyst.com\/fr\/wp-content\/uploads\/2026\/05\/3_Soko-Phay_2026-\u00a9Savina-Topurska-copie.jpeg","thumbnail_width":1280,"thumbnail_height":960,"description":"Quel est notre rapport au traumatisme du pass\u00e9 ? Celui par exemple d\u2019un g\u00e9nocide dont nous pouvons \u00eatre \u00e0 la fois victimes, t\u00e9moins et observateurs ? Un demi-si\u00e8cle apr\u00e8s le g\u00e9nocide commis par les Khmers rouges au Cambodge, Soko Phay, professeure d\u2019histoire et de th\u00e9orie de l\u2019art \u00e0 l\u2019universit\u00e9 Paris 8, explore les liens entre les r\u00e9cits des survivants - au premier rang desquels ceux de ses propres parents - et les \u0153uvres produites par deux g\u00e9n\u00e9rations d\u2019artistes. De Rithy Panh et Vann Nath \u00e0 Davy Chou, Jenny Teng ou Vandy Rattana, pour n\u2019en citer que quelques-uns, elle montre avec acuit\u00e9 comment ces cr\u00e9ations participent \u00e0 l\u2019\u00e9laboration d\u2019une m\u00e9moire collective et permettent de penser les blessures encore vives de la soci\u00e9t\u00e9 cambodgienne."}