{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"S\u00e9bastien Raineri","author_url":"https:\/\/asialyst.com\/fr\/auteur\/seba\/","title":"Filmer l\u2019humain au-del\u00e0 des fronti\u00e8res : le regard d\u2019Akio Fujimoto","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GmNMpVduoG\"><a href=\"https:\/\/asialyst.com\/fr\/2026\/03\/27\/filmer-humain-au-dela-frontiere-regard-akio-fujimoto\/\">Filmer l\u2019humain au-del\u00e0 des fronti\u00e8res : le regard d\u2019Akio Fujimoto<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2026\/03\/27\/filmer-humain-au-dela-frontiere-regard-akio-fujimoto\/embed\/#?secret=GmNMpVduoG\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Filmer l\u2019humain au-del\u00e0 des fronti\u00e8res : le regard d\u2019Akio Fujimoto\u00a0\u00bb &#8212; Asialyst\" data-secret=\"GmNMpVduoG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/asialyst.com\/fr\/wp-content\/uploads\/2026\/03\/Director-Portrait-Akio-Fujimoto-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1601,"description":"Avec Les Fleurs du Manguier (Hara Watan), le cin\u00e9aste japonais Akio Fujimoto poursuit une \u0153uvre d\u00e9j\u00e0 marqu\u00e9e par une attention constante aux trajectoires migratoires et aux identit\u00e9s en marge. Son cin\u00e9ma, \u00e0 la fronti\u00e8re de la fiction et du documentaire, se distingue par une approche \u00e9pur\u00e9e et profond\u00e9ment humaniste. Nous nous sommes entretenus avec lui \u00e0 l'occasion de la projection du film au Festival du film et forum international sur les droits humains."}