{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Anne Garrigue","author_url":"https:\/\/asialyst.com\/fr\/auteur\/anneg\/","title":"Apr\u00e8s Mao, le cin\u00e9ma chinois de la quatri\u00e8me g\u00e9n\u00e9ration","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ymcdFNj0gU\"><a href=\"https:\/\/asialyst.com\/fr\/2025\/12\/18\/apres-mao-cinema-chinois-quatrieme-generation\/\">Apr\u00e8s Mao, le cin\u00e9ma chinois de la quatri\u00e8me g\u00e9n\u00e9ration<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2025\/12\/18\/apres-mao-cinema-chinois-quatrieme-generation\/embed\/#?secret=ymcdFNj0gU\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Apr\u00e8s Mao, le cin\u00e9ma chinois de la quatri\u00e8me g\u00e9n\u00e9ration\u00a0\u00bb &#8212; Asialyst\" data-secret=\"ymcdFNj0gU\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/asialyst.com\/fr\/wp-content\/uploads\/2025\/12\/Le-mont-Tian-yuan-en-travaux-tiree-du-film-La-legende-du-mont-Tianyuan-Xie-Jin-1980.jpg","thumbnail_width":1199,"thumbnail_height":701,"description":"Deux experts du cin\u00e9ma chinois, Luisa Prudentino et Vincent Poli, nous livrent un r\u00e9cit passionnant et abondamment illustr\u00e9 consacr\u00e9 \u00e0 la g\u00e9n\u00e9ration m\u00e9connue des r\u00e9alisateurs chinois de la quatri\u00e8me g\u00e9n\u00e9ration. De 1976 \u00e0 1982, ils ont fait revivre avec humanisme et inventivit\u00e9 un cin\u00e9ma qui avait quasiment disparu pendant la r\u00e9volution culturelle."}