{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Anne Garrigue","author_url":"https:\/\/asialyst.com\/fr\/auteur\/anneg\/","title":"Le mus\u00e9e Cernuschi tourn\u00e9 vers l\u2019art contemporain asiatique","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"LyFomR4Y7i\"><a href=\"https:\/\/asialyst.com\/fr\/2025\/03\/08\/musee-cernuschi-art-contemporain-asiatique\/\">Le mus\u00e9e Cernuschi tourn\u00e9 vers l\u2019art contemporain asiatique<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2025\/03\/08\/musee-cernuschi-art-contemporain-asiatique\/embed\/#?secret=LyFomR4Y7i\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le mus\u00e9e Cernuschi tourn\u00e9 vers l\u2019art contemporain asiatique\u00a0\u00bb &#8212; Asialyst\" data-secret=\"LyFomR4Y7i\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/asialyst.com\/fr\/wp-content\/uploads\/2025\/03\/Musee-Cernuschi-compressed-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1994,"description":"Mael Bellec, conservateur au Mus\u00e9e Cernuschi, responsable des collections chinoises et cor\u00e9ennes, explique comment ce mus\u00e9e parisien sp\u00e9cialis\u00e9 dans les arts asiatiques se tourne de plus en plus vers les artistes asiatiques contemporains. Une exposition sur trois peintres vietnamiens du 20\u00e8me si\u00e8cle est prolong\u00e9e jusqu\u2019en mai et celle sur le peintre cor\u00e9en Paek Youngsu ouvre le 18 mars."}