{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Anne Garrigue","author_url":"https:\/\/asialyst.com\/fr\/auteur\/anneg\/","title":"Le festival de Vesoul 2025 couronne un film cor\u00e9en et trois films d\u2019Asie centrale","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xjO4N5r3gD\"><a href=\"https:\/\/asialyst.com\/fr\/2025\/02\/21\/festival-vesoul-2025-film-coreen-asiecentrale\/\">Le festival de Vesoul 2025 couronne un film cor\u00e9en et trois films d\u2019Asie centrale<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2025\/02\/21\/festival-vesoul-2025-film-coreen-asiecentrale\/embed\/#?secret=xjO4N5r3gD\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le festival de Vesoul 2025 couronne un film cor\u00e9en et trois films d\u2019Asie centrale\u00a0\u00bb &#8212; Asialyst\" data-secret=\"xjO4N5r3gD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/asialyst.com\/fr\/wp-content\/uploads\/2025\/02\/Park-Ri-woong-Laureat-du-FICA-2025.jpg","thumbnail_width":1624,"thumbnail_height":1369,"description":"Un jeune r\u00e9alisateur cor\u00e9en, Park Ri-woong, remporte le Cyclo d\u2019or avec son deuxi\u00e8me film \u00ab Land of the morning calm \u00bb qui brosse un portrait pessimiste de l\u2019\u00e9volution de la Cor\u00e9e. Mais c\u2019est surtout l\u2019Asie centrale qui est mise \u00e0 l\u2019honneur dans ce palmar\u00e8s avec trois films largement prim\u00e9s. \u00ab Abel \u00bb d\u2019Elzat Eskendir du Kazakhstan re\u00e7oit le prix sp\u00e9cial du jury, le prix du Jury NETPAC et le prix du jury de la critique. \u00ab Deal at the border \u00bb du Kirghize Dastan Zhapar Ryskeldi gagne le prix du jury et le prix du jury Marc Haaz et \u00ab To kill a mongolian horse \u00bb de la Chinoise Jiang Xiaoxuan obtient la \u00ab mention sp\u00e9ciale \u00bb du Jury et le prix des Amis du mus\u00e9e Guimet."}