{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Cyrielle Cabot","author_url":"https:\/\/asialyst.com\/fr\/auteur\/cyrielle-cabot\/","title":"Cin\u00e9ma \u00e0 Vesoul : l'\u00e9mergence du septi\u00e8me art au Tibet","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"1Jb5dZqrQN\"><a href=\"https:\/\/asialyst.com\/fr\/2020\/02\/21\/cinema-vesoul-emergence-septieme-art-tibet\/\">Cin\u00e9ma \u00e0 Vesoul : l&rsquo;\u00e9mergence du septi\u00e8me art au Tibet<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2020\/02\/21\/cinema-vesoul-emergence-septieme-art-tibet\/embed\/#?secret=1Jb5dZqrQN\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Cin\u00e9ma \u00e0 Vesoul : l&rsquo;\u00e9mergence du septi\u00e8me art au Tibet\u00a0\u00bb &#8212; Asialyst\" data-secret=\"1Jb5dZqrQN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/cinema-film-jinpa-pema-tseden-tibet.jpg","thumbnail_width":1200,"thumbnail_height":800,"description":"Le Festival International des Cin\u00e9mas d'Asie, organis\u00e9 \u00e0 Vesoul du 11 au 18 f\u00e9vrier dernier, a consacr\u00e9 une large part de sa programmation \u00e0 une r\u00e9trospective in\u00e9dite sur le cin\u00e9ma tib\u00e9tain. Au total, 12 films du r\u00e9alisateur Pema Tseden et de son acolyte Sonthar Gyal ont \u00e9t\u00e9 projet\u00e9s. S'ils restent souvent m\u00e9connus, ces films parviennent peu \u00e0 peu \u00e0 trouver leur public en France. En t\u00e9moigne la sortie en salles le 19 f\u00e9vrier de \"Jinpa\" r\u00e9alis\u00e9 par Pema Tseden. Entretien avec Fran\u00e7oise Robin, professeur \u00e0 l'Inalco et sp\u00e9cialiste du Tibet."}