{"version":"1.0","provider_name":"Asialyst","provider_url":"https:\/\/asialyst.com\/fr","author_name":"Cyrielle Cabot","author_url":"https:\/\/asialyst.com\/fr\/auteur\/cyrielle-cabot\/","title":"Cin\u00e9ma \u00e0 Vesoul : \"China dream\" ou la fin du r\u00eave \u00e0 Datong","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"R0VWssJJWy\"><a href=\"https:\/\/asialyst.com\/fr\/2020\/02\/21\/cinema-vesoul-china-dream-fin-reve-chinois-datong\/\">Cin\u00e9ma \u00e0 Vesoul : \u00ab\u00a0China dream\u00a0\u00bb ou la fin du r\u00eave \u00e0 Datong<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/asialyst.com\/fr\/2020\/02\/21\/cinema-vesoul-china-dream-fin-reve-chinois-datong\/embed\/#?secret=R0VWssJJWy\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Cin\u00e9ma \u00e0 Vesoul : \u00ab\u00a0China dream\u00a0\u00bb ou la fin du r\u00eave \u00e0 Datong\u00a0\u00bb &#8212; Asialyst\" data-secret=\"R0VWssJJWy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/asialyst.com\/fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/asialyst.com\/fr\/wp-content\/uploads\/2020\/02\/datong-chine-1.jpg","thumbnail_width":700,"thumbnail_height":450,"description":"Longtemps connue pour ses mines de charbon, Datong, dans le Shanxi, s'imaginait devenir un symbole de r\u00e9ussite du \"r\u00eave chinois\" de Xi Jinping. Le centre historique de cette ancienne cit\u00e9 imp\u00e9riale aurait attir\u00e9 des millions de touristes pendant que sa nouvelle ville aurait accueilli sa nouvelle classe moyenne. Mais \u00e9cras\u00e9e par sa dette, Datong n'a pas r\u00e9ussi \u00e0 relever le d\u00e9fi. Pendant plusieurs mois, les r\u00e9alisateurs Thomas Licata et Hugo Brilmaker y ont pos\u00e9 leurs cam\u00e9ras. Leur documentaire, \"China Dream\", \u00e9tait projet\u00e9 dans le cadre du festival international des Cin\u00e9mas d'Asie de Vesoul le 12 f\u00e9vrier dernier."}